Review
The Dresden Dolls
Yes, Virginia

Roadrunner (2006) Kevin Fitzpatrick

The Dresden Dolls – Yes, Virginia cover artwork
The Dresden Dolls – Yes, Virginia — Roadrunner, 2006

Disclaimer: Any use of the term "gay" in the following review is, in this context a derogatory term to denote a substandard listening experience and in no way reflects the author's views on homosexuality. The author will not go on record as stating that some of his best friends are gay, as he has, in fact no friends, gay or otherwise, but will begrudgingly admit to having a man-crush on Owen Wilson, George Clooney and that Tony Almeida guy from "24".

This is not a good album. Not a good album at all. Some would call it "gay" in fact. The album in question, is Yes, Virginia, the newest from The Dresden Dolls. Don't believe the hype. Everything that was great about their first two albums is unfortunately so diluted this time around that it almost sounds like the debut album from a lesser tribute band. I find it hard to believe that this is the same band that toured with Nine Inch Nails mere months ago. Gone is the edge, the wit, and just plain coolness that made songs like "Truce" and "Good Day" so good. Sure, they hinted at the direction none of us were hoping they'd go with on "Coin Operated Boy", but that was a fluke. An anomaly, no?

No. That's exactly the direction they headed in with Yes, Virginia. This is a band that used to be deserving of the groundswell of support that seemed to be building with each mention in an article or high-profile artist that discussed them in an interview, but it's like they heard the whispers and tried to make the jump to commercial success by immediately making the music more accessible without even a thought to what got people talking in the first place. I won't use the term "sellout", because who the hell knows what's going on in their mimey little heads. But when you call yourself "punk cabaret", for Christ sakes don't forget the punk. You can do it. It worked for Hedwig, so it can work for you. There's not one song on the album that's memorable excepting the fact that every song is irritating as all get out. The punk is gone and all the listener is left with is the cabaret.

So trust me, if that's all you're looking for, find the nearest homosexual dancing establishment. Wait for the drag karaoke night, put on some sequins and two-inch heels (no higher, you whores) and sing Bette Midler (or any other homosexually stereotyped artist) all night long until your voice gets so hoarse all the Long Island Iced Teas in the world won't fix it. Sure, you'll be hung-over like a dog, but at least you'll have had a good time.

The Dresden Dolls – Yes, Virginia cover artwork
The Dresden Dolls – Yes, Virginia — Roadrunner, 2006

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more