Review / 200 Words Or Less
The Devil in the Sea
Heart vs. Spine

Acerbic Noise (2008) Michael

The Devil in the Sea – Heart vs. Spine cover artwork
The Devil in the Sea – Heart vs. Spine — Acerbic Noise, 2008

Within moments of pressing play on Heart vs. Spine it comes as no surprise that The Devil and the Sea call Louisiana home. These southern bangers have delivered a sixty-minute soundtrack perfect for touring the bayou. The Devil and the Sea follow like so many others in the line of Sabbath worshipers, but with a modern take, and a little experimentation. Whether the band is sludging through a ten-minute monster or bashing its way through a four-minute rager, there is always a focus to deliver killer riffs. If the last bands you saw live were High on Fire, Torche, and Baroness then there is no reason to pass up on The Devil and the Sea.

7.0 / 10Michael • June 16, 2008

The Devil in the Sea – Heart vs. Spine cover artwork
The Devil in the Sea – Heart vs. Spine — Acerbic Noise, 2008

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more