Review
The Creeps
These Walls

Black Pint (2009) Loren

The Creeps – These Walls cover artwork
The Creeps – These Walls — Black Pint, 2009

What much can I really say? This style has been done numerous times. The Creeps play infectious, upbeat punk, born of the Ramones and sculpted by Screeching Weasel. Somewhere in the genre's history, bands like the Groovie Ghoulies shifted the concept from straightforward silliness towards specific niches. The Creeps carry that torch onward.

On These Walls The Creeps play their music well, with the harmonies running together smoothly at appropriate times, and there's enough variation between the five songs here that it doesn't sound like the needle is stuck, despite the lone beat that permeates the record. When things start getting samey, singer Skottie Lobotomy throws in a Glenn Danzig style "whoa-oh" to break it up. I'm amazed it still works after all these years, but it gets me singing along every time I hear it. The band can set a good pogo tempo and transition into melody smoothly and that's their strength. However, it's strictly genre music and there is a wealth of current-running bands with a similar sound. There's probably one in your town, wherever that may be.

In short, The Creeps do the pop-punk thing pretty well. If you're a fan of the genre and its recent crop of bands, you should definitely check them out. But, if you only have a passing interest you may as well move on. You already know what this band sounds like.

6.5 / 10Loren • October 14, 2009

The Creeps – These Walls cover artwork
The Creeps – These Walls — Black Pint, 2009

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more