Review / Book Review
Tex Perkins
Tex

Macmillan Australia (2017) T

Tex Perkins – Tex cover artwork
Tex Perkins – Tex — Macmillan Australia, 2017

Pizzazz. 
Omph. 
Attitude.
Sensibility.
A sardonic sense of humour.
Charisma.
Swagger.

If your music depends entirely on that, the dependency is too great.

So much for the basics.

See, you could claim that Tex Perkins and his incarnations have had a more than profound impact on my ever since I planted a foot on terra australis. 

Tex Perkins has been in the game for close to four decades. 

He oozes the aforementioned qualities yet his oeuvre stands for itself.

More than three decades of versatility and effortlessly moving between a range of genres and incarnations, while still retaining his own DNA.

Tex Perkins has fronted some of the most spirited best bands Australia has to offer, e.g. The Cruel SeaThe Beasts Of BourbonTex, Don & CharlieDark HorsesThugThe Ladyboyz and many other projects, including performing as Johnny Cash in the acclaimed Man In Black theatre show. 

His memoir Tex documents a life less ordinary.

A life that has been lived the hard way and against the odds.

Having been raised as a Catholic and socialised in the narrow minded streets of Brisbane, the book starts with Gregory Perkins’ escape to Sydney and sheds light on his metamorphosis to “Tex” and the frontman personality that would first front odd bands before finding mainstream exposure as the iconic frontman of internationally acclaimed outfits and with it success, its trappings and spoils.

Gigs. Albums. Tours. Fights. Feuds. Arrests. Drugs. High times. Low roads. The good life.

A tour de force of a life documented and driven by Tex’s dry wit and idiosyncratic energy.

9.0 / 10T • July 31, 2017

Tex Perkins – Tex cover artwork
Tex Perkins – Tex — Macmillan Australia, 2017

Related news

Rock the Gate to feature 60+ bands and raise funds

Posted in Shows on November 20, 2014

Recently-posted album reviews

The Crosses

Outlier
Rushmor Records, Spectragram Records, Triple Eye Industries (2026)

There’s always a risk when a band forms out of legacy. Especially one tied to something as influential as Die Kreuzen. Lean too hard on the past and it becomes nostalgia. Push too far away and you lose the thread entirely. On Outlier, The Crosses manage to thread that needle, delivering a debut EP that feels less like a revival … Read more

Sealer

Sealer
The Ghost Is Clear Records (2026)

Some bands aim for controlled chaos. Sealer sound like they’re actively trying to lose control and then figuring out how to weaponize that moment right before everything collapses. Their self-titled debut lands somewhere between hardcore, noise rock, and something far less stable, pulling from each without settling into any one comfortably. From the opening seconds of “Seeing/Peeling,” Sealer makes their … Read more

Palette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more