Review
Terrible Things
Self Titled

Universal/Motown (2010) Jon E.

Terrible Things – Self Titled cover artwork
Terrible Things – Self Titled — Universal/Motown, 2010

Terrible things are like an early 2000’s super group of sorts. As much as I hate relying on ex member notations for new records this one seems apt. This is a band made up or former members of Hot Rod Circuit and Taking Back Sunday. Please keep in mind that this is not the second coming of either of these bands.

This pedigree feels pretty apparent by the time the first real song (post intro) kicks in. The vocals feel familiar and work together well like TBS including call and response and complete trade offs. The musicianship is quite good being more reminiscent of recent brand new rather than their former bands.

Where this album succeeds is in coalescing the strong suits of each member writing ability and vocals. With Fred he had The color Fred which unfortunately acted as a sounding board with a nearly non existent filter on his songwriting, while by the end of HRC the band had changed into something else a good ways away from what they started as.

Terrible Things joins both of these ideas together to create something whole and strong overall. This is truly something that is stronger than just the sum of their parts. We have great harmonies between the two vocalists and strong hooks in the riffs to keep the listener coming back for more.

The band still has ways to go towards making a classic record but this is probably as close to a return of HRC as anyone will get. The songwriting has come a long way from just your run in the mill mall screamo their original bands.

What we get something something more mature without being a sad retread or false idea of what mature should be. We get songwriting that is strong with an emphasis on hooks and strong lyrics. The album feels like a whole piece rather than a compilation of “single worthy” songs. The production has a good amount of clarity and no grit whatsoever. This helps to highlight the vocals and melodies in a very strong way.

Overall this marks a return of musicians who have had their glory days pass in all probability. In complete disregard of that they have managed to write a strong complete album as opposed to relying on past glories. This is a strong record that I for one am hard pressed to find a reason not to recommend. Noted, this album isn’t breaking barriers it is a very strong melodic rock album.

7.7 / 10Jon E. • November 3, 2010

Terrible Things – Self Titled cover artwork
Terrible Things – Self Titled — Universal/Motown, 2010

Related news

Terrible Things self-releasing new record

Posted in Bands on November 16, 2012

Recently-posted album reviews

Cel Ray

Cel Rayzer
Exploding In Sound Records (2026)

I don’t remember how, but I stumbled across Chicago’s Cel Ray in 2023 on the heels of their debut EP, Cellular Raymond. I was immediately hooked. After another EP and a single, the band finally brings us their debut long player, Cel Rayzer. To no surprise, it’s excellent. Cel Ray plays a brand of post-punk that’s lo-fi and streamlined. Singer … Read more

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more

Nine Pound Hammer

Too Outlaw For Outlaw Country
Reptilian Records (2026)

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more