Review
Teen Jesus and the Jean Teasers
Pretty Good For A Girl Band

Domestic La La (2022) — Delaney

Teen Jesus and the Jean Teasers – Pretty Good For A Girl Band cover artwork
Teen Jesus and the Jean Teasers – Pretty Good For A Girl Band — Domestic La La, 2022

There is a tendency, I think, to label any loud band, any loud female band, as Riot Grrrl. Reducing a band to a genre they’re not and plugging your ears while they show you why they’re not that genre is damaging- both to the band in question and to the Riot Grrrl genre. That’s how you get New York Post articles about Olivia Rodrigo as the current face of Riot Grrrl. Spoiler alert- she’s not. Riot Grrrl was started as a movement, as a backlash, to the male dominated punk of the 90s (and 80s and 70s and so on). This label isn’t frivolous. It shouldn’t be tacked onto any female lead band you don’t have the time to examine in depth. I grind my teeth at night over this frequent misnomer so please know when I say this next sentence I mean it. Teen Jesus and the Jean Teasers’ debut album, Pretty Good For A Girl Band, is a Riot Grrrl masterpiece.

Teen Jesus consists of Anna Ryan (vocals, guitar), Scarlett McKahey (guitar, vocals), Jaida Stephenson (bass), and Neve van Boxsel (drums). The project started while the band was still in high school and still retains, a now polished version, of that childlike energy. Released in May on Domestic La La (run by Violent Soho’s James Tidswell), Pretty Good For A Girl Band borrows its title from the backhanded compliment often received by the young Australian band. Opening track and lead single “AHHHH!” gurgles with grunge revival riffs and gang vocals. “Up To Summit” takes a break from the wall of sound experience and cracks down on the melancholy instead. A valiant effort at variety, it unfortunately lags as the worst track on the EP. While the song isn’t necessarily bad it shrinks back next to the expertly crafted tracks surrounding it. “Miss Your Birthday” is memorable, not only for the tambourine, but the world historically sticky chorus. Don’t blame me if you’re humming it tomorrow at work. The album peaks with “Girl Sports”- an anthem for a band that’s on the precipice of being crowned Riot Grrrl royalty. It’s a snarling take down of every misogynistic prick with a PBR who slots in the word ‘girl’ before the word ‘band’. The crunchy guitars layered liberally on top don’t hurt either. “Bull Dragon” is the perfect closer. Threading in lyrical and instrumental throwbacks from earlier songs, “Bull Dragon” is the cool down you need after yelling for four tracks straight. The EP is short but boasts righteous lyrics and melodies that will be stuck in your head for days.

Pretty Good isn’t bogged down by self important lyrics or unnecessary extended instrumentals; it’s a gritty, guitar driven sing (or yell) along romp. It’s fun, unpretentious and ready to be cranked on your stereo. If Pretty Good For A Girl Band is a sign of things to come then Teen Jesus and the Jean Teasers may be the next big Australian rock band.

7.5 / 10 — Delaney • September 6, 2022

Teen Jesus and the Jean Teasers – Pretty Good For A Girl Band cover artwork
Teen Jesus and the Jean Teasers – Pretty Good For A Girl Band — Domestic La La, 2022

Recently-posted album reviews

Haywire 617

I Don't Wanna Say Goodbye
Roadrunner (2026)

How does one describe what differentiates a good hardcore band vs. something special within the space.It's really difficult to explain but Haywire 617 has proven to be something special.When boiled down to base elements Haywire is a hardcore band in the vein of something like latter day Blood For Blood (specifically their more Rock n' Roll/Oi elements with Rob singing). … Read more

super*user

Gutless Wonder
GC Records, Ideas Are Bulletproof Records (2026)

Detroit is famous for bands like the MC5 and The Stooges, White Stripes and of course KISS. Fellow Detroiters super*user may sound nothing like any of those bands but I would have thought it would take some KISS-sized balls to intentionally start your punk record with a riff ripped off from U2’s “Sunday Bloody Sunday”! Maybe that one’s unintentional but … Read more

Nick Soulsby

Born of Struggle, Living in Hope: The Anarcho-Punk Lives of the Centro Ibérico (1971-1983)
PM Press (2026)

Living in Hope , as the subtitle suggests, is a punk-centric history of the Centro Ibérico, an anarcho-punk squat at 421 Harrow Road. It is also the first book-length treatment of the space, which was at the crossroads of far-right fascist violence, police surveillance, housing disputes, and the punk scene. Founded in 1970 by Spanish Civil War veteran Miguel García … Read more