Review
SURVIVE
RR7349

Relapse (2016) Spyros Stasis

SURVIVE – RR7349 cover artwork
SURVIVE – RR7349 — Relapse, 2016

S U R V I V E, the experimental synth quartet from Austin, rose to fame quite fast when it became known that two of its members contributed to the score of Stranger Things, a hit sci-fi/horror series on Netflix (just in case you have been living under a rock.) That information alone can give a fair insight on what the band's sound is about. Caught somewhere between IDM and horror movies, with a fair amount of '80s nostalgia, they have put out a number of releases, and they are making a return with their sophomore full-length RR7349.

To call their work cinematic is an understatement. Every twist and turn of the record has a scenery associated with it, coloring the tone and ambiance with different moods and feelings. Aspects as familiar as one's own apartments, settings as dark as a forrest at night and as unimaginable as the surface of another planet are explored in RR7349, as the band masterfully navigates through all.

It takes serious skill to be able to explore all these different aspects, especially in a setting where all you have as a medium is audio. But structuring a narrative that is concise and flowing is what really makes RR7349 work as a record. Sure, the '80s element is able to adapt wonderfully through the different themes, from the groove moments of “A.H.B” to the mysterious progression of “Wardenclyffe,” from exploring the horror themes of “Dirt,” with extravagant movements and piercing synths, to the heavenly trip produced through bizarre sonic manipulations in “Sorcerer,” but that would not be enough if there was not an overall concept and a skillful hand on the wheel. Everything has a purpose and a narrative, even the complete deconstruction that is brought on the table with the drone abyss of “Low Fog,” unearthing the full extent of this experimental world.

It is the structure that does it, and the narrative that S U R V I V E is constructing would be nothing if it was not for a well thought out plan of progression and expansion. The hopeful melodies and ominous tones, the exploration of darkness through unconventional means and the resulting emotions from all these adventures. It is through this cohesion that the narrative becomes so compelling, the journey through the dark and the unknown, reaching a final catharsis is what truly makes this work feel so vibrant and alive, a story taking place right in front of you.

SURVIVE – RR7349 cover artwork
SURVIVE – RR7349 — Relapse, 2016

Related news

Overexposure's Strive To Survive EP

Posted in Records on April 15, 2023

Circa Survive: An EP collection and hiatus

Posted in Splits on October 22, 2022

L.S. Dunes Release New 2022 Track, '2022'

Posted in MP3s on September 28, 2022

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more