Review
Sun Ra/Merzbow
Strange City

Cold Spring (2016) Spyros Stasis

Sun Ra/Merzbow – Strange City cover artwork
Sun Ra/Merzbow – Strange City — Cold Spring, 2016

Big kudos are due to Justin Mitchell of Cold Spring for making this release possible, and bringing to life one of the strangest meeting of the minds. Irwin Chusid of the Sun Ra estate released a few rare and unreleased tracks from the great artist, which would be remixed by noise maestro Masami Akita, also known as Merzbow. Strange City is the resulting remix/collaboration between the two, connecting the planes of free jazz and noise. The record was initially released in 2016, but the first reissue arrives just one year later. 

The album kicks off beautifully with Sun Ra and his Arkestra introducing a vivid free jazz aesthetic, but that is quickly submerged over the noise waves produced by Merzbow. The remainder of the record sees the noise take the lead in terms of loudness, coming upfront and covering all the background. It is a harsh process that Merzbow is implementing, instead of deciphering the cosmic messages of Sun Ra, he encrypts them with his own alien DNA. 

However, even behind the thick veil of noise, it is Sun Ra's spirit that guides the work. The structures, the cosmic sense and the rhythmic patterns, as altered as they are, all speak of Sun Ra's tone and modus operandi. The extreme renditions of Merzbow are coupled with the free jazz essence, projecting everything under a different light. The glass-like breaking sound in “Granular Jazz Part 2” for instance, present a stunning accompaniment to the sax phrases, coloring the edges around it before devouring it. 

Strange City depends as much on the textural as it does on the improvisational. Sun Ra and his lucid structures are spread through this work. The force of the artist, completely absorbed by the countless possibilities of pattern matching, rhythm deconstruction and inharmonic exploration provide the backbone of the release, and its free jazz spirit. The textural realm is enacted by Merzbow, who looks beyond the music itself and into the timbre that can be awakened from within. While Sun Ra explore the capabilities of music, Merzbow explore the capabilities of sound, pushing it to the limits. 

The overall achievement however is the strange sense of balance Strange City radiates with. While Merzbow's sonic razors are sharp and appear to be all over the spectrum, the presence of Sun Ra lies in the core of this work. Despite its disfigurement and tempering, it dictates the progression of the record, through modes of granular synthesis or extravagant processing. The most impressive moment of the record, “Livid Sun Loop” exhibits this uncanny balance, with the explosiveness of Merzbow in its purest form, while the underlying structures of Sun Ra providing the lucidity to this chaotic narrative. 

Sun Ra/Merzbow – Strange City cover artwork
Sun Ra/Merzbow – Strange City — Cold Spring, 2016

Recently-posted album reviews

SUB/SHOP

Democatessen
Independent (2025)

Richmond, VA has always had a way of bending punk into something sharper and stranger, and Sub/Shop feels like a direct product of that tradition. Their EP democatessen isn’t a debut in the wide-eyed sense but a statement from musicians who’ve already spent years inside heavy, confrontational music and are now choosing precision over spectacle. Across six tracks, Sub/Shop delivers … Read more

Guerilla Teens

I Cyclops / Pride of the Savanna-7"
Heavy Medication Records (2024)

One-eyed wind-up dancing eyeballs boppin' and weavin' with Scott "Deluxe" Drake and Jeff Fieldhouse from the one and only and never replicated the almighty "The Humpers". I was lucky to see them back in the 90's in Toronto at a hot, sweaty club in the dead of summer, back when there was a blue hue of cigarette smoke, a faint … Read more

Joyce Manor

I Used To Go To This Bar
Epitaph (2026)

Surely by now, you’ve heard their name. Joyce Manor have been writing soundtracks for heartbreaks and hangovers for nearly two decades now. They create short songs with their hearts on their sleeves, while sticking to that distinct Southern California mix of self-deprecation and sincerity. From the lo-fi charm of their 2011 debut to Never Hungover Again’s cult-classic status and the … Read more