Review / 200 Words Or Less
Strawberry Runners
P-Sides Demos

Independent (2014) Andy Armageddon

Strawberry Runners – P-Sides Demos cover artwork
Strawberry Runners – P-Sides Demos — Independent, 2014

Gloriously imperfect and scratchy, the P-Sides Demo by Denver, Colorado’s Strawberry Runners starts off with “Slip In.” Initially sounding like melodramatic ‘50s pop with a folky undercurrent and sauntering rhythm, the piece works towards a climax of triumphant guitar and jangly background noise. Singer Emi Knight provides a melodic focal point to the piece with her soaring vocal, while male vocalist David Runge sings the contemplative opening verses of second track "Blind Contour Lime.” Once Knight joins Runge in a gorgeous harmony, the piece is set to head straight into a positively jubilant finale. Instrumental “haahooh" meanwhile, built around a throbbing, buzzy melody and screechy background ambiance, concludes this brief release in an almost disarmingly low-key manner.

Recorded live at a band practice via Iphone, this demo might not seem like the perfect representation of Strawberry Runners, but really does capture the very essence of their brand of amiable pop music. Since there’s no amount of production magic to get distracted by, it's very easy to appreciate the songwriting craft on display in these lo-fi recordings. While P-Sides is probably not entirely essential, it's a tantalizing, near perfect introduction to the band. I’d definitely recommend it.

See also

https://strawberryrunners.bandcamp.com/album/p-sides-demo

Strawberry Runners – P-Sides Demos cover artwork
Strawberry Runners – P-Sides Demos — Independent, 2014

Related features

Strawberry Runners

One Question Interviews • March 18, 2015

Related news

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more