Review
Stateside
Phonograph

Action Driver (2004) Shane

Stateside – Phonograph cover artwork
Stateside – Phonograph — Action Driver, 2004

Imagine if Limbeck and My Morning Jacket got together for a jam session and you'll be close to how Stateside sounds. Hailing from Tennessee, frontman John Paul Keith has played with heart-throb Ryan Adams, played in The Nevers, and co-founded The V-Roys. Sure the latter you probably know nothing about(shit, neither do I) but you get the point.

Phonograph is 11 tracks of classic rock tinged, indie-country. The record kicks off with "Fool on a Wire" that harnesses the description from the beginning paragraph. The tempo is upbeat in a very Limbeck-ish way, the horns are swinging in a My Morning Jacket-esque tone, and everyone is having a good time. In songs such as "Time Time Time," elements of The Rolling Stones are very apparent, particularly in the vocals.

This CD has a little bit of a problem with variation. It has more balls out rocking tunes towards the beginning but the songs become more ballad-like as the record goes on and it only looks back for a split second. The last two songs are very slow numbers that might have you shutting off the CD prematurely. Not to say they are bad tunes, but it just comes off as a pretty boring, anti-climatic ending for the disc.

All in all, Phonograph isn't bad, but isn't anything to go nuts over. Good disc for the summer whilst playing a game of drunken wiffle ball or jumping through sprinklers.

6.4 / 10Shane • June 27, 2004

Stateside – Phonograph cover artwork
Stateside – Phonograph — Action Driver, 2004

Related news

Brick Gun to release Dead to Me 7-inch stateside

Posted in Labels on September 20, 2010

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

The S.E.T.

Self Evident Truth
Flatspot Records (2026)

Hardcore doesn’t need reinventing; just needs conviction. On Self Evident Truth, Baltimore’s The S.E.T. come out swinging with a debut EP that’s built on exactly that. It’s got groove, urgency, and a clear sense of purpose. Clocking in at around fifteen minutes, the EP wastes no time establishing its identity. From the opening moments of “This Chain,” it’s all forward … Read more

Dashed

Self Titled
Independent (2026)

When a band describes themselves as surf punk, it usually conjures a certain image. Reverb drenched guitars, sunburnt melodies, maybe even a sense of looseness that leans more carefree than chaotic. Dashed doesn’t really fit that mold. On their self-titled LP, they take those familiar elements and run them through something colder, sharper, and far less predictable. Across eleven tracks, … Read more