Review
Sleepingdog
Polar Life

Gizeh (2008) Matt T.

Sleepingdog – Polar Life cover artwork
Sleepingdog – Polar Life — Gizeh, 2008

It's a rare delight when music completely unknown to you pops out of thin air to become one of your favorite releases of the year. Not that I intend to give away the ending of this review or anything.

Like most music of genuine quality, the sound of Polar Life is a tricky one to define easily. The lead is taken by either piano and acoustic guitar (although sometimes both are used), while a minimalist approach to backing of sparse electronics and strings serves to complement the sound without ever crowding the mix away from a familiar closeness.

Sleepingdog work a delicate tracery of gently revolving notes, an almost Broadrick-esque centrifugal pull of repetition that focuses on tight melodic songs that rarely outstay their welcome. The vocals float on top of the mix, never quite becoming an ethereal shoegaze echo but drifting over the piano and guitar like fine mist.

To these ears, the songs that focus on the use of the piano as a main instrument are the superior tunes on the record. This is particularly true at the beginning of the album, where the likes of "Prophets," "Your Eyes," and "The Sun Sinks In The Sea" lull you into a soft bliss. However, a distinct sense of ubiquity is ever-present and gives the listener the impression that all the songs could quite easily have been written on either instrument. All the material on Polar Life comes across as simple I don't mean that in any derogatory sense, or to imply that there isn't a strongly developed sense of songcrafting on here. What I mean is that there is an element of purity to the material, an inherent gentleness that permeates each track..

At times it feels that more may have been made of the backing instrumentation (in particular I'd love to hear what could be done with incorporating more electronic elements), and there is something of a classic mid-album slump bookended by the finer material. There is no particular punch or vigor to the music, but in all honesty that's something Sleepingdog is better off without anyway. If you're after something beautiful to lay across your ear canal on a pleasant Spring morning, you could do a hell of a lot worse than this.

8.5 / 10Matt T. • April 2, 2009

See also

Glissando, 27, Jose Gonzalez

Sleepingdog – Polar Life cover artwork
Sleepingdog – Polar Life — Gizeh, 2008

Recently-posted album reviews

The Flyboys

Complete Flyboys 1979-1980
Frontiers Records (2026)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

Ultrabomb

The Bridges That We Burn
DC-Jam Records, Virgin (2026)

Ultrabomb just detonated. The Bridges That We Burn isn't some polite "heritage act" victory lap. It smells like a hand-rolled cigarette lit with a blowtorch in a damp Minneapolis alleyway. No reunion uranium glow here—just three lifers who’ve spent their lives in vans and aren’t interested in anything but the friction prediction. The DNA is legendary, but they aren’t coasting … Read more

Sweat

Tear it on Down
Vitriol (2026)

Tear It On Down is the third record from Sweat and it picks up where the last two left off. It's aggressive hardcore punk, but with a playful groove or swagger that really makes it feel uplifting, even when the content is not. Case in point: "Surveillance State," which rolls kind of like a call-and-response song, except that lead vocalist … Read more