Review
Seraphim
The Light In The Distance

A389 (2011) Jon E.

Seraphim – The Light In The Distance cover artwork
Seraphim – The Light In The Distance — A389, 2011

Seraphim created a good bit of buzz with an EP release last year on A389. What the Ep proved is that this 3 piece was capable of creating an immense amount of power with very little bells and whistles to speak of. While many bands are capable of making a memorable first release very few can take those strengths and make them work in the context of a full length release.
The bands strengths remain the same the atmospheric interludes, heavy sludge riffing, and demented vocals all feel right at home here just as they did on the EP. Sharing a certain kinship with labelmates Caulfield they lean towards long song structures that accentuate the notes and space between the brutality. The band would find more of a kinship with their southern metal brethren rather than what could be described as hardcore.
The album begins with a short introduction employing a distant melody using guitar this can only be described as cleansing ones auditory palate for what is to come. of the course of 50 minutes Seraphim utilize hallmarks of many genres. The band mainly relies on shoegaze and sludge to build a mesmerizing result across the albums' span.
While most songs span well over 5 minutes no second seems wasted. Everything feels well thought out making the most to build atmosphere and overall stronger structures than most bands that venture into similar territory musically. The production is spot on giving more clarity to the instruments that the vocals creating the impression that the vocals are amongst the instruments rather than the focal point of any given song. This trick helps to leave the listener within the pocket of the song rather than letting them be jarred out of the bands overall hypnotic quality.
Seraphim, with this release have truly proved capable of making a strong full length while maintaining some semblance of growth withing their sound. This all leads me to believe that if many loud music fans were to give this record the time it deserves Seraphim would become the next Mastodon. The opportunity for this 3 piece to build artistic and likable records is something that many bands never have the capability to do. Hopefully the record buying public agrees and supports them.

8.7 / 10Jon E. • May 9, 2011

Seraphim – The Light In The Distance cover artwork
Seraphim – The Light In The Distance — A389, 2011

Related news

Convul/BLH on tour now

Posted in Tours on March 2, 2013

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more