Review
The Scutches
Ten Songs, Ten Years

Bright & Barrow (2012) Aaron H

The Scutches – Ten Songs, Ten Years cover artwork
The Scutches – Ten Songs, Ten Years — Bright & Barrow, 2012

The Ramones were, and still are, such an influence on music. These days, they’re garnered as a genre all on their own, known simply as, “Ramones-core.” Right now, bands like Teenage Bottlerocket are running things, but perhaps you haven’t given The Scutches a chance? The Scutches have been churning out Pop-Punk ditties for ten years now. Their latest album‘s title, Ten Songs, Ten Yearsmakes a point to say so. It’s warm, it’s catchy, it’s everything you’d expect from the genre. 

The Scutches don’t just draw from The Ramones, but from the source itself like Buddy Holly and The Beach BoysTen Songs, Ten Years keeps a steady mid-tempo throughout the entire album with tracks about break-ups and relationships like the catchy numbers, “Full Steam Ahead,” and “Glad You’re Gone.” The following lamenting track, “Don’t Go,” will hook and reel you in from its simple chorus. As you can see from the song titles, there's an on-and-off theme going on. They do like to get more upbeat and get you dancing with songs like, “Summer Night.” Easily the most surf-style influenced track on the album. The Scutches pick up the pace and get more urgent on, “Together Again,“ while “Never-Ending Story,“ packs in an abundance of catchy harmonies.

Ironically, a song with a bright sound has the opening lyric, “It’s June 1st, and all I ask is for rain. The Summer’s not the same without you. Sun, go away, go away.” The lyrics would have been better suited for the more somber sounding acoustic track, “In Dreams.” The last song on Ten Songs, Ten Years, is “Only for a Minute.” Another mid-tempo number. The song’s verses are divided up by deeper vocals and Vincenzo’s signature nasally vocals. Following the song's end, you’ll hear a hidden track which calls back Vincenzo’s love for rain. The track serves as a better closer than “Only for a Minute,” but my guess is they made it a hidden track because, “Ten Songs, Ten Years,” rolls off the tongue better than “Eleven Songs, Ten Years,” would have. 

The Scutches don’t break any new ground or breath in new life to the style of music. To be fair most “Ramones-core” bands don’t. That’s kind of the point. However, Ten Songs, Ten Years is every bit as catchy as anything else in the genre. It’s got hooky harmonies, pop melodies, and the occasional cheesy lyric. What else could you want? Check it out and decide for yourself. At the very least, it makes for some good background music. 

7.0 / 10Aaron H • May 6, 2013

The Scutches – Ten Songs, Ten Years cover artwork
The Scutches – Ten Songs, Ten Years — Bright & Barrow, 2012

Related news

New song from The Scutches

Posted in Videos on February 11, 2018

Bright & Barrow signs The Scutches

Posted in Labels on April 18, 2012

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more