Review
Samamidon
All is Well

Bedroom Community (2008) Campbell

Samamidon – All is Well cover artwork
Samamidon – All is Well — Bedroom Community, 2008

Whether or not a band is unknown is pretty subjective. While I was at the Portraits of Past reunion show in Berkeley recently, many passers-by and uninformed parents continued to ask who was playing. They saw the line of 500-plus kids and couldn't believe that this line was for a band they had never heard of. In this case, sometimes spectators are just out of the loop, which could make any number of bands unknown to them. A similar thing happened this first time I listened to this record, All Is Well.

Samamidon is Sam Amidon, a folk singer from Vermont. This is his second full-length release, and I feel foolish for not noticing until now. Sam's sound seems pretty minimal, but he brings a great sense of melody and rhythm to the table, and a dash of various instruments throughout the album to keep things interesting. It seems obvious how much time was taken to write each song, making sure every note and string of vocals is placed just right.

The album begins with "Sugar Baby," a slow acoustic track that's both increasingly pleasing as well as saddening. The song follows a single pattern throughout, but never gets old on your ears. Sam's vocals remind me a lot of The Dismemberment Plan, despite the differences in their music styles overall. The next track, "Little Johnny Brown," sounds a lot more traditional at first, but brings in a few horns, a piano, and even a set of strings that really bring out the harmony. The end of the song reminds me a bit of a more experimental Iron & Wine, with an odd percussion instrument helping to build up the crescendo towards the end of the track.

All Is Well keeps a consistent style of keeping you on your toes. From the sparse ballad of "Wild Bill Jones" to the upbeat banjo of "Fall On My Knees," Samamidon really seems to have put a lot of effort into making this album unique. Every song seems to have the same goal to help paint a canvas that is the album as a whole. While each track stands on its own, what's more important is how each track plays a role in crafting a piece of work that exercises every facet of this man's talent.

Samamidon seems to be doing something right. His abilities are undeniable, and I hope to see much more of him in the future. At an even ten songs, All Is Well works all of its magic and doesn't leave anything flawed or lacking. I'm rarely this impressed on a group that's new to me, but this one definitely did it for me.

8.5 / 10Campbell • August 12, 2008

Samamidon – All is Well cover artwork
Samamidon – All is Well — Bedroom Community, 2008

Recently-posted album reviews

Tony Molina

On This Day
Slumberland Records (2025)

I went to a birthday party for my wife and six or seven other friends and acquaintances last night. I guess people liked having sex in January in the late 70s-early 80s? In Canada at least, that’s how we keep warm in the winter! Anyway, I was foraging at the smorgasbord with a couple former co-workers talking about my recent … Read more

Often Wrong

The Figs Are Starting to Rot
Far From Home Records (2025)

Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding catharsis. They’re signed to Far From Home Records, a label … Read more

Armor for Sleep

There Is No Memory
Equal Vision (2025)

Armor For Sleep return with an album that treats memory like a weapon. It’s delicate, devastating, and impossible to disarm. For those who may not be as old as me and missed their emergence into the emo/indie scene, the Teaneck, New Jersey band started in 2001. Led by frontman Ben Jorgensen, they dropped gems like Dream to Make Believe (2003) … Read more