Review / 200 Words Or Less
Reptoids
Park a Tiger

RRRecords (2005) Matt

Reptoids – Park a Tiger cover artwork
Reptoids – Park a Tiger — RRRecords, 2005

Chicago's Reptoids, signed to RRRecords, play a female brand of grunge/punk rock. This six-track EP, clocking in at sixteen minutes, shows a fairly wide-ranging sound, taking in early Nirvana, through to a more rock and roll/punk sound reminiscent of 70s acts mixed with grunge vocals.

Singer Kay Oh often reminds me of Courtney Love, but musically the band provides a different backing than Hole. Guitars, handled equally between Kay and Melissa, are interesting and some clever production on opener "Mexico Fiasco" has some panned chords sifting between the rhythms. Backing vocals are provided by Melissa, and former bassist Ari Joffee contributes too. With regards to the bass, it often sounds a tad high school band on this EP, with relatively simple and uninteresting lines, but from what I can tell, the band have since replaced him.

"9 Times" is probably the standout track, as well as the longest on the record. With an unexpected breakdown midway through it's the most developed track with a catchy vocal hook in the chorus. Compared to the mid-tempo opener, this track demonstrates more of the energy that the band undoubtedly possess and I would predict utilize well in their live show. More like this!

6.0 / 10Matt • September 3, 2007

Reptoids – Park a Tiger cover artwork
Reptoids – Park a Tiger — RRRecords, 2005

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more