Review
Red Collar
Welcome Home

Tiny Engines (2012) Nick M.

Red Collar – Welcome Home cover artwork
Red Collar – Welcome Home — Tiny Engines, 2012

From the get-go, Welcome Home establishes Red Collar’s infectious brand of up-tempo rock and roll with tenacity and a working-class spirit. Known for their energetic live show that blurs the line between performer and audience, the Durham, North Carolina based band does well to translate that intensity onto a recorded format. Formed by the duo of Jason and Beth Kutchma, Red Collar is the product of passion, determination and similar ideals blending into a hard-hitting package of solid rock with a southern tinge that conjures images of heat, sweat, and all-around good times.

Welcome Home starts off incredibly strong, with the gruff vocals of Kutchma leading the band into the opener “Orphanage” while drummer Jonathon Truesdale keeps everything in time. From there they keep the pace going with tight musicianship and urgent delivery, bouncing from track to track without hesitation. Things slow down a bit with the crooner “This House” before jumping straight back into the previous pace with “Dodge K,” a frantic song with a strong bass line that you’d be hard pressed not to dance to. The latter half of the album continues on much the same, not straying from the formula of the first few songs. “Losing My Accent” is easily the most forgettable track on the album before closing out with the title track, a theatrical and dramatic conclusion which ties everything together nicely.

Red Collar build on an already well-traveled foundation of rock and roll with their own style that brings to mind classic predecessors such as Springsteen and Seger, as well as contemporary bands like Fake Problems and Titus Andronicus. Uttering lines such as “no, I don’t know what becomes of life – I don’t know anything at all” with conviction and honesty, Kutchma proves himself to be a strong vocalist who’s more than capable of leading the band to new heights. With an air of sincerity that allows them to tread into the working-class brand of southern rock, amongst a certain punk edge and unhindered melodic capabilities, Red Collar do well in carving their own spot into an ever expanding musical landscape. Despite the lack of anything particularly fresh, Welcome Home is a solid album and a great means of escape from the summer heat.

7.0 / 10Nick M. • July 9, 2012

Red Collar – Welcome Home cover artwork
Red Collar – Welcome Home — Tiny Engines, 2012

Recently-posted album reviews

Errth

Errth
Uncle Style Records (2025)

What makes a gruff vocal melodic punk band stand out? That's the question I'm asking myself as I listen to Errth's debut on repeat. I've been playing this record for probably a month straight and I dig it. It checks the heart-on-sleeve style I enjoy but I'm struggling to figure out why, exactly. I think on this, it's the tones … Read more

1186

Histeria
Drunken Sailor (2025)

If you read enough press releases, you start questioning if you even know what genre names mean. Post-punk has been one of the most abused terms of the past 2-3 years and it seems to mean wildly different things to different people. To me, it’s always meant an ear for angular guitars and noise atop more traditional song concepts. 1186 … Read more

Li Jianhong

Shuttle Raven of the Dream
Utech (2025)

Li Jianhong's philosophy surpasses the direct relationship of a musician with their instrument of choice. Instead, Li has advocated for Environment Improvisation, where the urge to create and improvise is established by the artist's surroundings. Looking at Li's website you can find numerous instances that inspired him to settle down and start improvising, drawing energy from the surroundings. The music … Read more