Review
Rations
Martyrs and Prisoners

86'd records (2013) Loren

Rations – Martyrs and Prisoners cover artwork
Rations – Martyrs and Prisoners — 86'd records, 2013

Released on 86’d Records, I came to Rations with a blank slate. Thirty seconds of research tells me the band is a four-piece from Long Island and includes, among others, 86’d Records’ own Wells as a member. Trivia aside, most folks don’t buy a piece of vinyl based on any of that info above. They buy it because it’s good (or because it’s some gimmicky limited release). Rations are good. 

The record starts with the winding punk “Leaves of Grass,” which plays on stifled anger rather than cathartic burst, and the tension bears just beneath the surface as winding guitars define the song. Follow-up “Occasion for War,” continues on the path but it mixes a slow-paced gang vocal, almost of a barroom chantey tempo instead of a “whoa-oh” punk rock number. “No More Warheads” and “Relived/Replayed” both have a familiar feeling, blending some rough-edge East Bay melody and gruff Fest-punk, but it keeps a harder tone throughout that’s all Rations and a bit less produced.

While the songwriting paces itself carefully and expresses its emotion subtly, it manages to maintain a concise and direct feel, avoiding the trappings that many likeminded abuse by drawing out songs needlessly. Instead, Rations, er, ration the heart of their songs into powerful nuggets that hit their point, temporarily dwell in the moment, and move on without waiting for fanfare and stage dives. Sure, the songs fit that umbrella category of “punk rock” but, really, they’re hardcore songs being played at the wrong rpm. It’s raw, brutal, and over too soon.

7.5 / 10Loren • October 21, 2013

Rations – Martyrs and Prisoners cover artwork
Rations – Martyrs and Prisoners — 86'd records, 2013

Related features

Illustrations

One Question Interviews • November 13, 2017

Related news

Kill Rock Stars 30th anniversary celebrations

Posted in Labels on January 3, 2021

Recently-posted album reviews

Pallette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more