Review / Classic Album
Quicksand
Manic Compression

Island\Revelation (1995) Bob

Quicksand – Manic Compression cover artwork
Quicksand – Manic Compression — Island\Revelation, 1995

How many people do you know that absolutely love Quicksand (personally, there is not a person that I know who is into music that does not love this band), or, better yet how many people do you know that point to Quicksand as a band or group to be revered, emulated, worshipped, et al (again, there are a multitude of people out there that I know who wishes they were in this band)?

Without getting too deeply into the history of the band, Quicksand was a breath of fresh air in the early 1990’s New York Hardcore scene, impacting the music in a way that music journalists may have invented the term “Post Hardcore” to describe the band’s sound and motif; by 1995 Quicksand had released an EP as well as their first album (Slip) and toured all over the place in a whirlwind five year journey that culminated in the release of their second album, and Manic Compression saw the group reaching new heights of popularity and mainstream approval despite what many deem a record fraught with issues.

Manic Compression holds quite a few other songs that are essential to the Quicksand canon like “Thorn In My Side” (with its awesome bass line and hyper tempo) and the slower tempo and cool dynamic shifts of “Simpleton” that builds to an excellent crescendo and “Brown Gargantuan” (and its fusing of the hard Quicksand sound with some impressive melodies) and the jam-like closer “It Would Be Cooler If You Did”, but the album’s other songs have some excellent parts as well like the breakdown chorus of “Blister” that just hits so hard or the wicked guitar trills and harsh rhythm in the verses of “Supergenius”.

Even with some of the members’ issues with Manic Compression (some of their dissatisfactions have been documented in more detail elsewhere), the album still is an excellent entry in the Quicksand oeuvre dropping some of the best songs that this four piece ever created in their relatively short tenure of their initial existence (a short reunion and aborted third album from 1998 not withstanding), but where this album fails also is evidence of its strengths that in spite of some of the sound issues on the album, the songs rise above the din leaving an awesome batch of tracks for us their listeners; and while this may not be their best album, I still wish I could write and record an album as good as Manic Compression.

8.0 / 10Bob • June 30, 2012

Quicksand – Manic Compression cover artwork
Quicksand – Manic Compression — Island\Revelation, 1995

Related news

Fucked Up Quicksand

Posted in Tours on August 15, 2026

See Quicksand

Posted in Tours on May 29, 2026

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more