Review / 200 Words Or Less
Puppy and the Hand Jobs
I Hate Everything

Black Gladiator / Slovenly Recordings (2019) Andy Armageddon

Puppy and the Hand Jobs – I Hate Everything cover artwork
Puppy and the Hand Jobs – I Hate Everything — Black Gladiator / Slovenly Recordings, 2019

It'd be quite easy to write off (the fantastically named) Puppy and the Hand Jobs for making self-described “trash rock and roll.” Much as is the case with bands like The Dwarves however, while the band does produce vulgar rapid-fire punk music that seems to have been recorded as “hot” as possible, there’s an undeniably catchiness to their music. 2019’s I Hate Everything demonstrates this quite nicely.

Certainly tracks like “Cocksucker” and “Predator” would have some clutching their pearls (hell, the former track has a music video released through, gulp, Pornhub, and no, I'm not linking it), but midway through this 10-minute EP, the band uncorks “Plan 9” and shows that they can, in fact, deliver genuinely infectious tracks that aren’t overtly offensive. Perhaps I shouldn’t be surprised by this: frontman Jamie Paul Lamb had some of his previous work featured on the excellent We’re Loud compilation a few years back. I don’t know that I’d go so far as to call I Hate Everything a masterpiece, but it also isn’t remotely trying to be. It’s simply an energetic and fun album for those with, ahem, refined tastes.

Puppy and the Hand Jobs – I Hate Everything cover artwork
Puppy and the Hand Jobs – I Hate Everything — Black Gladiator / Slovenly Recordings, 2019

Recently-posted album reviews

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more