Review / 200 Words Or Less
Puppy and the Hand Jobs
I Hate Everything

Black Gladiator / Slovenly Recordings (2019) Andy Armageddon

Puppy and the Hand Jobs – I Hate Everything cover artwork
Puppy and the Hand Jobs – I Hate Everything — Black Gladiator / Slovenly Recordings, 2019

It'd be quite easy to write off (the fantastically named) Puppy and the Hand Jobs for making self-described “trash rock and roll.” Much as is the case with bands like The Dwarves however, while the band does produce vulgar rapid-fire punk music that seems to have been recorded as “hot” as possible, there’s an undeniably catchiness to their music. 2019’s I Hate Everything demonstrates this quite nicely.

Certainly tracks like “Cocksucker” and “Predator” would have some clutching their pearls (hell, the former track has a music video released through, gulp, Pornhub, and no, I'm not linking it), but midway through this 10-minute EP, the band uncorks “Plan 9” and shows that they can, in fact, deliver genuinely infectious tracks that aren’t overtly offensive. Perhaps I shouldn’t be surprised by this: frontman Jamie Paul Lamb had some of his previous work featured on the excellent We’re Loud compilation a few years back. I don’t know that I’d go so far as to call I Hate Everything a masterpiece, but it also isn’t remotely trying to be. It’s simply an energetic and fun album for those with, ahem, refined tastes.

Puppy and the Hand Jobs – I Hate Everything cover artwork
Puppy and the Hand Jobs – I Hate Everything — Black Gladiator / Slovenly Recordings, 2019

Recently-posted album reviews

Osiah

Aion
Unique Leader (2025)

Deathcore is a genre that’s constantly threatening to eat itself alive. For every band trying to push boundaries, there are ten more content to recycle the same breakdowns, the same vocal gymnastics, the same studio-polished violence. Osiah, however, have never been interested in playing it safe and their latest EP Aion is proof that they’re still operating on a level … Read more

Ramleh

Hyper Vigilance
Sleeping Giant Glossolalia (2025)

Ramleh is a cornerstone of the UK industrial and noise underground. Staring out in the early '80s, they are one of the pioneers of noise and power electronics alongside the likes of Whitehouse and Sutcliffe Jügend. But, beneath the havoc and the sonic debris, Ramleh always carried an emotional pulse. It is what separates their finest moment, Hole In The … Read more

Crippling Alcoholism

Camgirl
Portrayal of Guilt Records (2025)

Crippling Alcoholism have always navigated a delicate balance between musical depth and immediacy. A blend that few bands attempt, let alone master, but Crippling Alcoholism's two previous full-length records, When The Drugs That Make You Sick Are The Drugs That Make You Better and especially With Love From A Padded Room did exactly that. With a foundation formed through post-punk … Read more