Review / 200 Words Or Less
Powernap
Oreosmith EP

Asian Man (2015) Loren

Powernap – Oreosmith EP cover artwork
Powernap – Oreosmith EP — Asian Man, 2015

Oreosmith, whatever the hell that title means, is the first release from Powernap and it’s familiar and powerful, leaving curious signs of where the band may develop. The general sound is gruff, mid-tempo punk a la Jawbreaker or The Broadways.

The EP is 6 songs long, clocking at 18 minutes and it keeps a defined sound throughout. The mid-tempo numbers like “Beautiful Day” and “Jewelry” are nice slices of the style, but they don’t bring a lot of new inspiration to the table. When the tempo takes just a little more variance, as in “Girls From Bars,” which speeds things up, it adds a little more zing, leaping above the somewhat drone gruff vocals of Hugo Mudie. That variance earns a bright spot. The chorus in “Live Slow, Die Whenever” is so big it almost feels too epic (though what do you expect with that song title?), and when they give a harder edge to the guitars in “I’ll Resist” it really stands out in a coarse and angry punk swing.

The band includes members and exes of Miracles and Sainte Catherines, among others, and in a first EP it brings a lot of promise. I’d like to hear them once they define the direction of their songwriting a touch more.

7.2 / 10Loren • May 18, 2015

Powernap – Oreosmith EP cover artwork
Powernap – Oreosmith EP — Asian Man, 2015

Related features

Powernap

One Question Interviews • May 21, 2015

Related news

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more