Review / 200 Words Or Less
Post Pink
Too Pooped to Pip

Independent (2015) — Andy Armageddon

Post Pink – Too Pooped to Pip cover artwork
Post Pink – Too Pooped to Pip — Independent, 2015

Sounding like the result of glue-huffing fourteen-year-olds being let loose in a recording studio, Too Pooped to Pip, the 2015 demo from Baltimore, Maryland’s Post Pink, contains some of the most crude and snotty punk rock I’ve heard in quite some time. It may be surprising then that three of the group’s four members are female: listening to the singer holler these hideously immature lyrics at the top of her lungs in as unrestrained a manner as possible frequently makes the album quite comical. With sparse instrumentation and a very raw sound, there’s an amateurish vibe to this album, but considering the band’s name can be abbreviated as “PP,” that almost seems to be the point.

While the aggressively discordant “(S)hit” and jerky dancepunk of “Crampy” (in which the singer asks if she can get head then demands a “bubbly bubbly bath”) almost downplay the songwriting ability of the players, comparatively-restrained album opener “I Want to Believe” has a warm, singalong chorus that ultimately convinced me that Post Pink can make more easy-to-swallow, well-crafted tunes when and if they want to. All in all, Pooped is rambunctious and enjoyable - provided one isn’t expecting it to be a masterpiece.

Post Pink – Too Pooped to Pip cover artwork
Post Pink – Too Pooped to Pip — Independent, 2015

Related news

Kylesa Post Pink Floyd Cover

Posted in MP3s on November 23, 2007

Clutch Post Pink Floyd Cover

Posted in MP3s on April 29, 2007

Recently-posted album reviews

Sweeping Promises

You Say I Romanticize
Sub Pop (2026)

What strikes me foremost about this record are the vocals. As the father of a 13 y.o. daughter I feel qualified to say that this person could be a pop singer. I mean I don’t really know what it takes to be one, although I’m sure that it’s more than a voice good enough to win a game show, I’ve … Read more

Moonraker

Me and the Bells
Punkerton Records (2026)

I have probably talked about this before, I knew of Moonraker through split EPs and things like that, but they didn't fully pop into my consciousness until The Forest. Me and the Bells, four years later, is their follow-up full-length and it continues the trajectory from that record while still capturing its own distinct vibe. Musically the band is heavily … Read more

Dreamwell

Hymns for the Denial of God
Prosthetic (2026)

Some records make their intentions obvious from the very beginning. They use the same structure that countless bands have for decades: verse, chorus, breakdown, payoff, and the blunt force of explaining what you are supposed to feel. Hymns for the Denial of God does something much more complex. It’s a series of difficult questions no one wants to answer, proposed … Read more