Review / 200 Words Or Less
Post Pink
Too Pooped to Pip

Independent (2015) Andy Armageddon

Post Pink – Too Pooped to Pip cover artwork
Post Pink – Too Pooped to Pip — Independent, 2015

Sounding like the result of glue-huffing fourteen-year-olds being let loose in a recording studio, Too Pooped to Pip, the 2015 demo from Baltimore, Maryland’s Post Pink, contains some of the most crude and snotty punk rock I’ve heard in quite some time. It may be surprising then that three of the group’s four members are female: listening to the singer holler these hideously immature lyrics at the top of her lungs in as unrestrained a manner as possible frequently makes the album quite comical. With sparse instrumentation and a very raw sound, there’s an amateurish vibe to this album, but considering the band’s name can be abbreviated as “PP,” that almost seems to be the point.

While the aggressively discordant “(S)hit” and jerky dancepunk of “Crampy” (in which the singer asks if she can get head then demands a “bubbly bubbly bath”) almost downplay the songwriting ability of the players, comparatively-restrained album opener “I Want to Believe” has a warm, singalong chorus that ultimately convinced me that Post Pink can make more easy-to-swallow, well-crafted tunes when and if they want to. All in all, Pooped is rambunctious and enjoyable - provided one isn’t expecting it to be a masterpiece.

Post Pink – Too Pooped to Pip cover artwork
Post Pink – Too Pooped to Pip — Independent, 2015

Related news

Kylesa Post Pink Floyd Cover

Posted in MP3s on November 23, 2007

Clutch Post Pink Floyd Cover

Posted in MP3s on April 29, 2007

Recently-posted album reviews

Bevis Frond

Horrorful Heights
Fire Records (2026)

God loves Nick Saloman, and from the heavens, the expulsion of the beloved archangel fell and spawned Horrorful Heights. A 20-track double-album behemoth. Eighty-eight minutes of musical mayhem. Who does that anymore? nobody. As they edit themselves down to make nice, safe Spotify playlists, Nick just dumps the whole glorious attic on your head like the wicked witch of the … Read more

Nine Pound Hammer

Too Outlaw For Outlaw Country
Reptilian Records (2026)

For nearly forty years, Nine Pound Hammer have occupied a strange corner of American music that very few bands have ever managed to touch. They're too loud for traditional country, too country for most punk bands, too dirty for radio rock, and frankly too stubborn to care where anyone thinks they belong. That's exactly why Too Outlaw For Outlaw Country … Read more

Fuming Mouth

The Ringing Bell”
Triple B (2026)

There are plenty of bands capable of writing crushing death metal. There are plenty of bands capable of writing punishing hardcore. Very few can occupy both worlds without sounding like they're simply alternating between genres. Fuming Mouth have spent years refining that balance, and The Ringing Bell feels like the moment where every piece of their identity locks together. Anyone … Read more