Review / 200 Words Or Less
Population Reduction
Each Birth a New Crime

Tankcrimes (2008) Scottie

Population Reduction – Each Birth a New Crime cover artwork
Population Reduction – Each Birth a New Crime — Tankcrimes, 2008

Like weed? What about beer? Okay, here's the clincher: what about loud as shit cynicism rammed into your sloping skull at diarrhea speed? Yeah? Check out Each Birth a New Disaster, the first album by Population Reduction, a two man grind band from San Francisco that drills your eardrums with blast beats, the blackest of thrash riffs, and death metal shrieks that sound like razor blades straight to the vocal chords. They even have a joke or two at the expense of cock rockers, yuppie scum, and traveler kids. Fans of the late eighties Earache catalog, Slayer, and getting wasted take note. Is it fast? Hell yeah, stupid. The LP comes as a gatefold with artwork so putrid it's almost nauseating. This one's for the hash addicts and sickest of speed freaks.

7.0 / 10Scottie • October 1, 2008

Population Reduction – Each Birth a New Crime cover artwork
Population Reduction – Each Birth a New Crime — Tankcrimes, 2008

Recently-posted album reviews

Onelinedrawing

RAINBOWMACHINE
Iodine (2026)

I grew up listening to the acoustic side of onelinedrawing. Those stripped-down Jonah Matranga songs had a way of making everything else disappear, often needing little more than a guitar, a voice, and an honest melody to completely pull you in. That's still the version of onelinedrawing that immediately comes to mind for me, so with Matranga having been relatively … Read more

Professor and the Madman

Dreamworld
FullerTone Records (2026)

ALBUM HIGHLIGHTS – “Brand New World”, “12 Strings and Tambourines”, “Adams Street”, “Temple of Madness” It’s rare to find these days. A band (or maybe supergroup, in this case) that defies all genre boundaries and just…creates. Alfie Agnew (Adolescents, D.I.) and Sean Elliott (D.I., Mind Over Four) are familiar names from Orange County’s early 80s hardcore and psych-punk scenes, but … Read more

Chat Pile

Who Loves The Sun
Flenser (2026)

If Chat Pile were a film, they would be a dark thriller. The kind that builds tension until the end and, once we reach the third act, still might not ever show the killer. It's plodding and intense and, while I just pulled out a genre reference, the best thing about the band is how much they defy conventional musical … Read more