Review
Phillip Roebuck
Fever Pitch

Manual (2006) Neil F.

Phillip Roebuck – Fever Pitch cover artwork
Phillip Roebuck – Fever Pitch — Manual, 2006

Phillip Roebuck will never be explained in writing. Writing does no justice to what Phillip Roebuck does. He plays a banjo at breakneck speed. He is a one-man band that bashes away at a bass drum and tambourine on his back. See, it just doesn't sound right, does it? It conjures images of Groundskeeper Willy yelling, "I'm a maniac, MANIAC!" rather than the image of what Phillip Roebuck actually is and what Phillip Roebuck actually does. What Phillip Roebuck does is incredible! It's that simple and it deserves repeating. What Phillip Roebuck does is incredible!

Fever Pitch is Roebuck's second one-man band installment proper. Recorded at Steve Albini's Electric Studios in Chicago, it is an explosion of banjo, drums, hollers, and yells. Raucous from start to finish, guttural at times, doleful at others, the drums pound like a jackhammer, the vocals are all delivered with a plaintive drawl and the banjo is played in frenzied paroxysms. Opening with single "Monkey Fist", Fever Pitch begins with a bang and never really stops. Only the mournful dirges of "Movement" and "Can I Keep You" really slow a pace that is, otherwise, gaining momentum all the time. Crashing to a close through the trio of "Come On Home", "Love For The Damned" and "Travel Light" all strident, all thudding their way past, drums like thunder, at the pace of lightening, Fever Pitch ends all to quickly.

The music world right now needs artists like Phillip Roebuck. Not because he is a throwback to a long forgotten time. His music carries far too many modern resonances and influences for that. The music world needs artists like Phillip Roebuck because the music world has become a place of hype and over-hype. Where self-publicity and braggidociousness have replaced talent and ability. Roebuck doesn't play to hype, doesn't play to the demands of the wider music world. He just plays on his albums the way he played his songs in the New York Subway. Somehow, his songs are accessible and melodic when so many of his contemporaries seem unable to remain so, yet still carry enough eccentricity to be truly defined against the grim pictures of the underground's current cool set. Fever Pitch is the only album you need this year.

10.0 / 10Neil F. • October 9, 2006

Phillip Roebuck – Fever Pitch cover artwork
Phillip Roebuck – Fever Pitch — Manual, 2006

Related features

Related news

Integrity To Release CD/Book

Posted in Records on May 28, 2004

Recently-posted album reviews

Dylan Thomas

Todo se desvanece
Burnt Toast Vinyl (2026)

When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more

Adam Steiner

Darker with the Dawn: Nick Cave's Songs of Love and Death
Rowman & Littlefield (2023)

Adam Steiner doesn’t just break the earth with a spade with this book; he actually digs deep into the fertile soil to enter the cobwebbed crypt. He approaches the catalogue like a forensic scientist examining the maggots on a corpse—meticulously analyzing the rot and the details of decay to chart exactly how long the body has been decomposing. He gets … Read more

Six Going on Seven

Human Tears
Spartan Records (2026)

Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more