Review
Pembroke
All The Brightest Pictures

HANDSTAND RECORDS (2022) Rizkan A.M.

Pembroke – All The Brightest Pictures cover artwork
Pembroke – All The Brightest Pictures — HANDSTAND RECORDS, 2022

Let's say this is my first assignment at Scene Point Blank and this time I'll do a review for a hardcore punk album. It's an album by Pembroke entitled All The Brightest Pictures. Well, it's a quite rare thing for me to review hardcore punk records these days but at least I was an intense listener of this kind of music. One of the interesting points on the assignment is that Pembroke is made up of members of bands like SupertouchOff Minor, and Saetia. Yes, Saetia got my attention for digging more into the band.

The album All The Brightest Pictures is an initial record by the band released on a Virginia-based record label, Handstand Records. And I would say it's a record that needs a lot of "repair" from so many aspects. The band features a different kind of approach in songwriting but still, in my opinion, some parts featured need to be improved. And then its recording quality also becomes one of the aspects that need improvements. Many parts of the guitarwork don't sound very detailed, leading to voids on the lead guitar that needs to get filled in.

Let's start with the first track, entitled "I'll Be Free". The track starts with a postrock-ish vibe intro which seems fitting, but it has a kind of bad transition as the verse part comes along. And the lead guitar part at the end of the song, which I can say that it's not a good part to be put into the song.

The next highlight song is "Take A Nap". It starts with In-Your-Face hardcore guitar work. I don't think it's a bad part but it's too mediocre. It’s too familiar or similar to many other hardcore bands. And surprisingly, the band put out a reggae part on this song. Still, this doesn't lift the quality of the material.

Moving to the next song entitled "Happy Hour". The song starts with emotive guitar work. I can hear some Rites of Spring vibe. It's just an okay song, as the lead guitar in the middle is one of the lamest part overall. The next highlight song is entitled "Must Be Nice". It's the last track of the album. I love the blasting part on the verse. It gives energy to the song. But the thing is, this song seems to have a void of emotion in the middle. Still, this song can't satisfy my expectation of the band.

I understand that the first take for the band wouldn't be easy, but there is a lot of room for improvement on this album.

Pembroke – All The Brightest Pictures cover artwork
Pembroke – All The Brightest Pictures — HANDSTAND RECORDS, 2022

Recently-posted album reviews

Lethal Limits

Elevate EP
GhettoBlaster Productions (2025)

As far as I can gather Jeff Corso has been playing in bands in the Bay Area for the past 20 years but seems like exclusively hardcore until now. Full disclosure: I’m only reviewing this because Aesop from Hickey plays drums. That said, I generally only review stuff I like, so go figure. This doesn’t sound like Hickey but since … Read more

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more