Review
Palms
Self Titled

Ipecac (2013) Sarah

Palms – Self Titled cover artwork
Palms – Self Titled — Ipecac, 2013


Isis may have disbanded in 2010, but that's far from the last we've heard from its members. Though many of them have joined other bands, they have mostly stayed separate from one another, with no more than two ever appearing in the same place. But of course, that's what makes Palms so intriguing--featuring three fifths of Isis (Jeff Caxide, Aaron Harris, and Bryant Clifford Meyer), it's hard not to see the American quartet as part of their direct lineage. And with Deftones vocalist Chino Moreno rounding out the lineup, it's easy to be overawed by the talent that went into their eponymous debut before even hearing it. But don't let that stop you; Palms delivers on every account promised by the legacy of its members.

What's hard not to notice is that Palms take a decidedly unaggressive approach towards post-metal. With all of the downtuned chugging, greasy sludge, and raspy growls thrown by the wayside, there's absolutely nothing that even borders on aurally unpleasant about the sound of this album. While that definitely takes away some of what makes the genre effective for a lot of bands, Palms nonetheless take those compositional styles and imbue them with every ounce of feeling they have. The result is a stunningly affecting series of compositions, combining all of the movement and force of post-metal with the arresting quality of soaring lead vocals.

Seriously, Moreno's vocals really are something to stand in awe of; when he belts it out on the chorus of "Future Warrior" or the closing refrains of "Mission Sunset", you will feel insignificant in comparison to their beauty. Of course, the album's not all about the vocals; the instrumental sections of the album are equally great, if somewhat understated. On the whole, they are much more reminiscent of In the Absence of Truth or Wavering Radiant, ringing with bright clarity and yet somehow very restrained to their barest atmospheric core. The closing half "Antarctic Handshake", one of the few purely instrumental moments on the album, is also one of the most sublime, a difficult task on an album already brimming with artistry.

While they may have a hard time shaking the mantle of "Isis the second", Palms are shaping up to be a formidable act in their own right. Palms is a fantastic (if substantially unsurprising) debut, and hopefully indicative of more to come in the future. Do give this album a listen.

Recommended if you like: IsisRed SparowesPelican

8.5 / 10Sarah • June 11, 2013

Palms – Self Titled cover artwork
Palms – Self Titled — Ipecac, 2013

Related news

SPB Premiere - "Hairy Palms" by Barren Womb

Posted in Records on April 16, 2020

Dark Palms leak a new song

Posted in Records on July 7, 2015

Fall tour for Palms

Posted in Tours on July 19, 2014

Recently-posted album reviews

Tigers Jaw

Lost on You
Hopeless (2026)

Tigers Jaw was formed in 2005 in Scranton, PA by high school friends. After a brief hiatus in 2013, the band is once again carefully crafting and delivering a sound that is equal parts upbeat angst and mellow moodiness. The current lineup, consisting of Ben Walsh (guitar, vocals), Brianna Collins (keys, vocals), Mark Lebiecki (guitar), Colin Gorman (bass), and Teddy … Read more

N.E. Vains

Running Down Pylons
Big Neck Records (2026)

N.E. Vains’ Running Down Pylons delivers that kind of glorious, basement-level destruction. You know, back in the ’70s when every basement had those flimsy swinging room-dividing doors, and your skinny 130-pound frame suddenly ripped them clean off the hinges in a fit of imagined superhuman strength? The day you went from sand-kicked weakling to full Charles Atlas mail-order muscle miracle? … Read more

Poison The Well

Peace In Place
Sharptone (2026)

There’s no way to talk about Peace In Place without acknowledging the shadow it steps out from. Poison the Well isn’t just another reunited band dusting off an old name. They’re literally architects of the genre. The Opposite of December… A Season of Separation didn’t just help define metalcore, it rewired how heaviness and vulnerability could coexist. And honestly, is … Read more