Review
Padkarosda
Szabadulásom Művészete

Wake Up And Live (2014) Nathan G. O'Brien

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Padkarosda is a three piece punk band from Hungary. Szabadulásom Művészete (translated as Art Of My Liberation) is their second full-length release. Recorded in Budapest in June of 2013, Oakland, CA-based Wake Up And Live Records picked it up for US release this year. It comes on cassette with a pro-printed foldout J-card, complete with song lyrics, band photo, and artwork. It’s really nice looking package, all done in various shades of purple, which really adds to the aura of the music contained therein.

According to various descriptions Padkarosda play a style of punk that draws heavily on the influence of ‘80s Hungarian bands. I’ll admit I don’t have any real familiarity with Hungarian punk bands past or present other than this tape, so I don’t have much in the way of comparisons to offer. While there are discernible bits and pieces of other international hardcore styles at play, it’s also unlike anything I’ve heard recently. It’s like a more gothic take on Finland’s Riistetyt crossed with a less raw-sounding GLAM. In fact, much in the same way the latter-mentioned Barcelona band did on their Veveno En Sus Flechas LP, Padkarosda uses vocal effects and dissonant guitars to push the sound beyond the confines of simple genre tags like 'raw punk' or 'hardcore.' It reminds me of the weirder stuff on the discographia version of '80s Italian band Stiny Rats' Vergognati LP.

For a cassette, the recording is really good. It's not the 'demo quality' style that has come into vogue as of late, but rather the type of sound you'd expect back before CDs, when vinyl records and tapes were the the only option.The bass is distorted and subbed to death, which I love, while the drumming is both frantic and on point. But it's the uniquely atmospheric guitar effects at play here that standout as the band’s defining sound. “Az Ártatlan” (translated as “The Innocent”,) the rager that closes out side A, and “Az Őrző” (“The Keeper”,) which begins side B are perfect examples. And they really bring their distinctive sound into new territory with a moody post-punk album closer “Csendent” (“Silence.”)

Szabadulásom Művészete is is beyond good. If you appreciate genre-challenging punk, obscure bands, and archaic formats (and really, what self-respecting punk doesn't,) do yourself a favor and track this one down.

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Recently-posted album reviews

House Of All

Inklings
Tiny Global Productions (2026)

Six blokes who survived the Mark E. Smith sausage-squeezing meat grinder, plus a beautiful Blue Orchid for good measure. But if you’re turning up to Inklings expecting some pathetic karaoke penny on the eyes wake, you’re completely barking up the wrong great Deku tree. Not a tribute act. It’s a cash-in-hand inheritance from a filthy-rich uncle… let's call him Uncle … Read more

If I Die Today

I Felt Nothing
Independent (2026)

Sometimes post-hardcore stops feeling emotional and just becomes noise for the sake of noise. If I Die Today understands that line better than most bands operating in this space. Their newest albume, I Felt Nothing is undeniably aggressive, messy, loud, and volatile, but underneath all the abrasion is a band with a very clear sense of purpose. This Northern Italian … Read more

Eddy Current Suppression Ring

In Light Of Recent Events
Suppression Records (2026)

Australian Neo-proto-punk garagerockers ECSR released 11 new songs in May without much, if any, fanfare and not as some marketing or PR stunt but because they seem to actually give zero fucks. If anything they are making a bit of effort to curb their success which includes multiple award nominations on their home turf including the Australian Music Prize for … Read more