Review
Padkarosda
Szabadulásom Művészete

Wake Up And Live (2014) Nathan G. O'Brien

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Padkarosda is a three piece punk band from Hungary. Szabadulásom Művészete (translated as Art Of My Liberation) is their second full-length release. Recorded in Budapest in June of 2013, Oakland, CA-based Wake Up And Live Records picked it up for US release this year. It comes on cassette with a pro-printed foldout J-card, complete with song lyrics, band photo, and artwork. It’s really nice looking package, all done in various shades of purple, which really adds to the aura of the music contained therein.

According to various descriptions Padkarosda play a style of punk that draws heavily on the influence of ‘80s Hungarian bands. I’ll admit I don’t have any real familiarity with Hungarian punk bands past or present other than this tape, so I don’t have much in the way of comparisons to offer. While there are discernible bits and pieces of other international hardcore styles at play, it’s also unlike anything I’ve heard recently. It’s like a more gothic take on Finland’s Riistetyt crossed with a less raw-sounding GLAM. In fact, much in the same way the latter-mentioned Barcelona band did on their Veveno En Sus Flechas LP, Padkarosda uses vocal effects and dissonant guitars to push the sound beyond the confines of simple genre tags like 'raw punk' or 'hardcore.' It reminds me of the weirder stuff on the discographia version of '80s Italian band Stiny Rats' Vergognati LP.

For a cassette, the recording is really good. It's not the 'demo quality' style that has come into vogue as of late, but rather the type of sound you'd expect back before CDs, when vinyl records and tapes were the the only option.The bass is distorted and subbed to death, which I love, while the drumming is both frantic and on point. But it's the uniquely atmospheric guitar effects at play here that standout as the band’s defining sound. “Az Ártatlan” (translated as “The Innocent”,) the rager that closes out side A, and “Az Őrző” (“The Keeper”,) which begins side B are perfect examples. And they really bring their distinctive sound into new territory with a moody post-punk album closer “Csendent” (“Silence.”)

Szabadulásom Művészete is is beyond good. If you appreciate genre-challenging punk, obscure bands, and archaic formats (and really, what self-respecting punk doesn't,) do yourself a favor and track this one down.

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Recently-posted album reviews

Dylan Thomas

Todo se desvanece
Burnt Toast Vinyl (2026)

When bands spend months slowly piecing together an album with cheap gear, limited time, and apparently an alarming amount of terrible beer, it’s kind of romantic. Not romantic in the polished indie film sense. More romantic in the sense that you can actually hear people chasing a feeling before life pulls them in different directions. That tension sits at the … Read more

Adam Steiner

Darker with the Dawn: Nick Cave's Songs of Love and Death
Rowman & Littlefield (2023)

Adam Steiner doesn’t just break the earth with a spade with this book; he actually digs deep into the fertile soil to enter the cobwebbed crypt. He approaches the catalogue like a forensic scientist examining the maggots on a corpse—meticulously analyzing the rot and the details of decay to chart exactly how long the body has been decomposing. He gets … Read more

Six Going on Seven

Human Tears
Spartan Records (2026)

Late 90s post hardcore and emo feels impossible to recreate now. That’s not because the sound itself is gone, but because the tension behind it was so specific to that era. Six Going on Seven’s Human Tears, their first full length in roughly twenty-four years, captures that feeling perfectly. Having a wonderful history by having done a split with Hot … Read more