Review
Padkarosda
Szabadulásom Művészete

Wake Up And Live (2014) Nathan G. O'Brien

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Padkarosda is a three piece punk band from Hungary. Szabadulásom Művészete (translated as Art Of My Liberation) is their second full-length release. Recorded in Budapest in June of 2013, Oakland, CA-based Wake Up And Live Records picked it up for US release this year. It comes on cassette with a pro-printed foldout J-card, complete with song lyrics, band photo, and artwork. It’s really nice looking package, all done in various shades of purple, which really adds to the aura of the music contained therein.

According to various descriptions Padkarosda play a style of punk that draws heavily on the influence of ‘80s Hungarian bands. I’ll admit I don’t have any real familiarity with Hungarian punk bands past or present other than this tape, so I don’t have much in the way of comparisons to offer. While there are discernible bits and pieces of other international hardcore styles at play, it’s also unlike anything I’ve heard recently. It’s like a more gothic take on Finland’s Riistetyt crossed with a less raw-sounding GLAM. In fact, much in the same way the latter-mentioned Barcelona band did on their Veveno En Sus Flechas LP, Padkarosda uses vocal effects and dissonant guitars to push the sound beyond the confines of simple genre tags like 'raw punk' or 'hardcore.' It reminds me of the weirder stuff on the discographia version of '80s Italian band Stiny Rats' Vergognati LP.

For a cassette, the recording is really good. It's not the 'demo quality' style that has come into vogue as of late, but rather the type of sound you'd expect back before CDs, when vinyl records and tapes were the the only option.The bass is distorted and subbed to death, which I love, while the drumming is both frantic and on point. But it's the uniquely atmospheric guitar effects at play here that standout as the band’s defining sound. “Az Ártatlan” (translated as “The Innocent”,) the rager that closes out side A, and “Az Őrző” (“The Keeper”,) which begins side B are perfect examples. And they really bring their distinctive sound into new territory with a moody post-punk album closer “Csendent” (“Silence.”)

Szabadulásom Művészete is is beyond good. If you appreciate genre-challenging punk, obscure bands, and archaic formats (and really, what self-respecting punk doesn't,) do yourself a favor and track this one down.

Padkarosda – Szabadulásom Művészete cover artwork
Padkarosda – Szabadulásom Művészete — Wake Up And Live, 2014

Recently-posted album reviews

Crystal Lake

The Weight Of Sound
Century Media (2025)

Formed in Tokyo in 2002, Crystal Lake have spent more than two decades shaping their own high-velocity hybrid of metalcore, hardcore, and atmospheric chaos. Few bands of their era survived the genre’s shifts with their identity intact, and even fewer survived a complete vocalist change. But instead of slowing down, Crystal Lake sharpened. Now fronted by John Robert Centorrino, the … Read more

Tired Radio

Hope In The Haze
Red Scare Industries (2025)

I knew of Tired Radio, but I didn't really know the band's work. When Red Scare announced they'd signed the band, I figured it was a good excuse to dive in -- and I'm glad I did. Hope in the Haze is the title of their Red Scare debut and that title kind of sums up their general vibe too. … Read more

The Resinators

Recorded In 2005 By Jay Reatard
Independent (2024)

Interesting little slab we got sent to SPB by a Mr. Ed Young. Two originals and a cover, recorded in Jay Reatard’s living room back in 2005 as the title suggests. So that would be around the time of The Reatards’ Not Fucked Enough for anyone keeping track. Jay had apparently just switched from analog to digital recording but it … Read more