One man project by Portland's Phil Spirito, who evidently has a lot of musician friends that helped out with this recording. Sparse, subtle arrangements are the norm for this outing. If I had a dream about this record, I would think it is either Tom Waits or Neil Young crashing an Alan Lomax recording session. Apparently there is such a thing as a tenor banjo. Who knew?
Some pop punk records feel made for playlists and algorithms. They’re polished into oblivion, emotionally vague, and afraid to get messy. Silver Proof clearly didn’t get that memo. The Buffalo trio’s debut full length, Even If It Hurts, leans heavily into the emotional core of early 2010s emo pop and melody while still sounding energized rather than nostalgic. Across the … Read more
This EP released kind of suddenly, back in March, right before a bunch of stuff hit the fan in my life outside of SPB. Which means the EP felt sudden, but this review has been stewing for nearly three months with a lot of repeat listening along the journey. At eight songs in length, it's short but sweet, and as … Read more
The late, great Jay Reatard was a prolific master of rock n roll gems. Whether it be with his earlier budget-punk act of his namesake, Reatards, his synth-punk projects Lost Sounds and Angry Angles, or his solo material as Jay Reatard, Jimmy Lee Lindsey Jr. was an incredible songwriter. Those aforementioned bands are just a smattering of units he’s been … Read more
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