Hey wow, great, albeit, generic 2000-era straightedge hardcore in the vein of Floorpunch, In My Eyes and Fastbreak before they wanted girlfriends. This EP is all about the stage dives; dive-bomb intros, and playing as fast as humanly possible without losing a sense of melody. If the last song, "No End in Site," weren't your typical Modern Life is War/Comeback Kid type of emotional outpouring where everyone needs to sing along then I'd be all over this. Still, not bad at all.
There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more
There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more
There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more
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