Review / 200 Words Or Less
Once Nothing
First Came the Law

Solid State (2008) Michael

Once Nothing – First Came the Law cover artwork
Once Nothing – First Came the Law — Solid State, 2008

It's been a few years now since I first became acquainted with Once Nothing. They were just a local band playing shows wherever they could and having a good time playing to whoever would listen. Now the band is on Solid State, touring the U.S., and First Came the Law is their first big-label release.

Once Nothing fuses together the worlds of hardcore, metal, and southern rock into a sound that is similar to that of Maylene and the Sons of Disaster and Every Time I Die. While their earliest releases leaned heavy in the chaotic metalcore direction, the songs of First Came the Law ease up on the metalcore and meander down the southern rock / rock and roll trail a bit more. This is a welcome change as metalcore has just become so stale, but then again so have the southern-flair hardcore bands. I also feel the recording/mix of this album is a bit thin, thus hurting the intensity of the music of the album.

First Came the Law is a good record for Once Nothing to unleash onto the hordes of metalcore kids that run amuck in the world. I can't say that this album is all that delightful, but I can see this album providing them with a significant fanbase for the years to come.

6.5 / 10Michael • March 12, 2008

Once Nothing – First Came the Law cover artwork
Once Nothing – First Came the Law — Solid State, 2008

Related news

Once Nothing Breaks Up

Posted in Splits on February 8, 2009

Once Nothing Post Another New Song

Posted in MP3s on January 30, 2008

Once Nothing Post New Song

Posted in MP3s on November 15, 2007

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more