Review
Oceans
Nothing Collapses

Copper Lung (2009) Michael

Oceans – Nothing Collapses cover artwork
Oceans – Nothing Collapses — Copper Lung, 2009

Chicago natives Oceans offer up nine tracks with sixty minutes worth of music on their debut effort. The five-piece maintain a post-rock inspired craft throughout the bulk of the full-length but also find ways of incorporating mid-90's emo and post-hardcore sounds into their songs.

Nothing Collapses begins with "Lit Up Under Streetlights" and you get eight minutes of light-footed post-rock that leans towards the more playful tones as opposed to down-tempo style the genre often sees. The group makes use of the guitar techniques you've come to expect from pros of the genre - Explosions in the Sky, etc. Where the band helps to distinguish themselves is with the faint influences of the mid-90's Midwestern emo scene in their sound.

"We are Ruins" follows and it features a slightly more aggressive direction with movements of heavier riffing interspersed with their standard guitar noodling. "Ways with Wolves" boasts some interesting guitar and rhythm interplay that brings to mind Minus the Bear. "Boy Detective" interjects more of this guitar work in its structure as well. This song also features some vocal parts, which is a bit odd for a band of this genre. They caught me a little off guard but worked, especially when backed with the more actionated music at the end of the song.

It's here that we hit a lull. The next three tracks just kind of passed me by, not leaving a mark on my memory. "Traps and Traps" saves the record from being ejected with an outstanding second half. Closer "Your Plane Leaves Tomorrow" closes at an epically long ten minutes. Thankfully, it is Ocean's best constructed piece of music, so you get to enjoy every second. I found myself restarting the final four minutes over and over as they were especially noteworthy with the inclusion of the violin, something I hope they experiment with more in the future.

Nothing Collapses is a good start for the group; there is a lot of promise in what they're doing. I enjoyed the relaxing mood of the album but also found myself losing attention with the action as I listened. I think with a bit more time together the songwriting will get better and more intense, resulting in a more advanced end product.

6.0 / 10Michael • July 2, 2009

Oceans – Nothing Collapses cover artwork
Oceans – Nothing Collapses — Copper Lung, 2009

Related features

From Oceans to Autumn

One Question Interviews • February 16, 2014

Related news

Bright Eyes and the Kids Table

Posted in Records on August 28, 2025

Bright Eyes and The Poison Oak Project

Posted in Bands on March 3, 2025

Scowl kicks off Are We All Angels

Posted in Records on January 23, 2025

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more