Review / 200 Words Or Less
Obscurus Advocam
Verbia Daemonicus

Battle Kommand (2007) Kevin Fitzpatrick

Obscurus Advocam – Verbia Daemonicus cover artwork
Obscurus Advocam – Verbia Daemonicus — Battle Kommand, 2007

I've been told that France has been home to a few good bands over the years, but like you, aside from Air I'd be hard pressed to name them. Sure we've read about those wacky French kids jumping on the church-burning, murderous bandwagon, but can they play music? Well, let's just say they try, but don't quite get there. Obscurus Advocam tries, really tries to invoke the dread and despair created by their Scandinavian neighbors, but give off too much of a sheen and a polish to really pull it off.

This may seem like a non-sequitur, but remember when we first heard Thom Yorke's solo album and wondered why it wasn't just released as a Radiohead disc? What we have in Verbia Daemonicus is essentially a solo project of Glorior Belli founder Infestuus and there's that same futility to the album that brings nothing new to the genre and makes one wonder why it was released as a separate project in the first place. This album, as it turns out is better than the latest Glorior Belli release, but still manages to be painted by the same black-by-numbers songwriting that'll have more accustomed listeners reaching for the Burzum CD.

Obscurus Advocam – Verbia Daemonicus cover artwork
Obscurus Advocam – Verbia Daemonicus — Battle Kommand, 2007

Recently-posted album reviews

Dealbreaker

New Sides
Late Again Records, Toll Free Records (2026)

Dealbreaker popped onto my radar as part of a package tour with Pro Wrestling, who cold called me with a Penske File namedrop. This story is a bit of a Canadian roundabout, but their methodology worked: I listened to their music and dug it enough to review it. And I'm mentioning it because, at times, Dealbreaker reminds me of The … Read more

The Library Is On Fire

Degeneration Elegies
The Abyss, Ltd. (2026)

There’s a certain kind of band that never quite fits the moment they arrive in. Sometimes too jagged for one scene, too melodic for another. The Library Is On Fire were one of those bands in the early 2000s, hovering somewhere between indie-punk urgency and power-pop instinct without fully settling into either. On Degeneration Elegies, their first full-length in over … Read more

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more