Review / 200 Words Or Less
Obscurus Advocam
Verbia Daemonicus

Battle Kommand (2007) Kevin Fitzpatrick

Obscurus Advocam – Verbia Daemonicus cover artwork
Obscurus Advocam – Verbia Daemonicus — Battle Kommand, 2007

I've been told that France has been home to a few good bands over the years, but like you, aside from Air I'd be hard pressed to name them. Sure we've read about those wacky French kids jumping on the church-burning, murderous bandwagon, but can they play music? Well, let's just say they try, but don't quite get there. Obscurus Advocam tries, really tries to invoke the dread and despair created by their Scandinavian neighbors, but give off too much of a sheen and a polish to really pull it off.

This may seem like a non-sequitur, but remember when we first heard Thom Yorke's solo album and wondered why it wasn't just released as a Radiohead disc? What we have in Verbia Daemonicus is essentially a solo project of Glorior Belli founder Infestuus and there's that same futility to the album that brings nothing new to the genre and makes one wonder why it was released as a separate project in the first place. This album, as it turns out is better than the latest Glorior Belli release, but still manages to be painted by the same black-by-numbers songwriting that'll have more accustomed listeners reaching for the Burzum CD.

Obscurus Advocam – Verbia Daemonicus cover artwork
Obscurus Advocam – Verbia Daemonicus — Battle Kommand, 2007

Recently-posted album reviews

Generacion Suicida

Hombre Nuevo
Vitriol (2026)

On the tail end of Autogramm’s 2018 tour of Mexico (what little I remember of that week now is a lot of pulque and not a lot of sleep) I visited the one punk record store in CDMX that I found via googling where to buy bootleg punk t-shirts. I’d already visited Venas Rotas Discos earlier on the trip and … Read more

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact check my statement, because I mean it as a metaphor. Real Numbers play exactly what you'd expect based on my short description so far, but there's always something just a … Read more