Review
North
The Great Silence

Cavity (2012) Sarah

North – The Great Silence cover artwork
North – The Great Silence — Cavity, 2012

I have to say, this one particular album took a while to grow on me. But it soon struck me that the new release from Tuscon, Arizona-based and strangely antithetically named post-metallers North was more than just another Isis or Cult of Luna styled sludge metal album. The Great Silence, I had to admit, was strikingly beautiful and deeply satisfying through and through. Here's why:

The biggest point in favour of this album is that it has much more variety and spice than your average sludge/post-metal album, and that's saying a lot of something, given that most post-metal bands are content to replay the same type of music over and over without embellishment. Over the course of an hour, The Great Silence moves from low, distant drones to huge, bellowing displays of guitar, and about twenty different styles in between. North never seem to do the same thing twice--there's always a curveball or a new trick to keep you guessing until the very end, all of it executed impeccably.

Take the opening belch-like, gutturally melodic vocals of “Sentience”: coupled with the atmospheric drumming and guitars, the entire effect is nothing short of disconcerting, leaving you unsure exactly where the band is going to proceed to. Then there are the disorienting complex-time sections, like during the march-like "Inanimate Fathers" or the half-waltz "Paradox", that seem to bring so much intensity and expressiveness to an otherwise slowly-paced album. "Pulse" feels triumphal and gratifying, as if Explosions in the Sky suddenly went metal, yet the dirge "Patience" feels much more depressingly melancholic and contemplative. The female vocals in "Origins" come out of absolutely nowhere, a surprise that's both novel and effectively shocking against such an unpolished background. And, of course, the big-ass closing epic "Où est Tout le Monde?" is just fantastic through and through.

Sure, at the end of the day, North aren't bringing anything staggeringly new to the genre, but who cares? They pull of the this album so splendidly and proficiently that it doesn't really matter. They like what they're doing and they're doing it well, and that's the most you could really hope for. It's not the next Oceanic or Somewhere Along the Highway, but it's enjoyable and even cathartic.

North have twisted new life into post-metal, infusing the genre with a fresh burst of creative composition and unusual energy. The Great Silence is deeply satisfying, and will undoubtedly scratch that sludgy itch to your satisfaction. 

Recommended if you like: early Baroness, The Ocean, A Storm of Light

8.5 / 10Sarah • February 26, 2013

North – The Great Silence cover artwork
North – The Great Silence — Cavity, 2012

Related features

Northeast Regional

One Question Interviews • April 12, 2023

Northless

One Question Interviews • July 16, 2018

Shilpa Ray

One Question Interviews • February 3, 2018

Related news

Wardruna in North America

Posted in Tours on March 4, 2025

135 artists to benefit North Carolina

Posted in Music News on October 11, 2024

The Story So Far, North America

Posted in Tours on August 21, 2024

Recently-posted album reviews

Painkiller

The Great God Pan
Tzadik (2025)

Painkiller, the trio of John Zorn, Bill Laswell, and Mick Harris shows no signs of slowing down. The Great God Pan is their third full-length, since their reunion in 2024, and in many ways it is an unexpected offering. In keeping with their interests in the metaphysical realm, Painkiller find inspiration from the famed Arthur Machen horror novella. Here, the … Read more

Painkiller

The Equinox
Tzadik (2025)

Painkiller sees three absolute masters of extreme music join forces. John Zorn of Naked City and a billion other projects, Mick Harris who transcended from Napalm Death drummer to illbient guru with Scorn, and producer extraordinaire Bill Laswell. Their first two records, Guts of a Virgin and Buried Secrets are strange meditations traversing between free-jazz, grindcore and dub. Still hungry … Read more

Dauber

Falling Down
Dromedary Records, Recess (2025)

The lazy approach would be to call Dauber "ex-Screaming Females," but that barely scratches the surface. If I had to pick one band to namedrop a comparison to, it would be labelmates Night Court. They play a familiar style but with a lot of quirks that set it apart from the genre standard-bearers. It's driving and energetic -- more importantly, … Read more