Review
Ninja Gun
Roman Nose

Sabot Productions (2011) Loren

Ninja Gun – Roman Nose cover artwork
Ninja Gun – Roman Nose — Sabot Productions, 2011

Ninja Gun draws from a lot of sources, playing in the Suburban Home-style market of alt country derived from obtuse punk influences. They tend to eschew chord progressions in favor of soft music and easy articulation built from the steady, honest delivery of their frontman Johnathan Coody. Roman Nose is their latest EP, this one coming from Sabot Productions.

Ninja Gun’s style is mellow and maybe a little coy. The band draws from country, but their delivery and dominant sound are more steeped in power pop, with the country influence honing the lyrical tone and the somber, reflective atmosphere while the music is more ethereal with a touch of Southern eeriness at its backdrop. Coody keeps the mood steady, never bursting into angry aggression or sorrowful misery, but walking a calm line down the middle. If there is a fault, it’s that Coody’s delivery is so even keel that it can lull the listener at times, without the dynamics to push forth a more positive energy. For a band with two guitars, this record is surprisingly calm throughout. The music is collected, with layered acoustic guitars and careful arrangements that maintain an emotional gray area. “That’s Not What I Heard” utilizes a first person perspective with soothing background vocals, but the even keel nature distances the first-person perspective and the focus remains on the feel rather than the lyrics. It’s got a repetitive, singalong structure combined with a country lament, and the balance falls right in the middle between the two styles. In its follow-up, “Hot Rain,” Coody drawls a little louder, dropping his pitch to a more forceful delivery to carry over the louder guitars and drums, utilizing a ‘70s rock structure that builds to a climax in just over three minutes. Despite the big ‘70s rock influence, the song never fully rocks out, instead keeping its austere manner.

On Side B, Coody’s vocals remain at the forefront. This time, there’s a power pop feel with big guitar crunch at the chorus, but emotive heart-on-sleeve crooning on the verse levels. The middle two songs offer the most sonic variance, but the titular “Roman Nose,” is the most memorable track on the EP, and it hints that Ninja Gun’s next full-length will be wide-reaching in its scope. It takes a Southern gothic guitar and a sorrowful tone that relies on descriptive imagery to leave on something of a depressing note.

Ninja Gun hail from rural Georgia and they embrace their roots, drawing from an isolated, open setting and incorporating that into their sound, and utilizing descriptive imagery to establish such a tone. It should appeal to fans of power pop and alt country equally.

This is music for a slower pace, sitting on the porch at sunset, playing this soundtrack just over the chirping of the crickets as opposed to blaring over headphones on a loud city bus.

6.4 / 10Loren • May 23, 2011

Ninja Gun – Roman Nose cover artwork
Ninja Gun – Roman Nose — Sabot Productions, 2011

Related news

Ninja Gun Release New Video

Posted in Videos on April 20, 2011

Ninja Gun Offer New EP For Free

Posted in Records on April 12, 2011

Ninja Gun Release Two Singles

Posted in Bands on April 6, 2011

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more