Review
Niecy Blues
Exit Simulation

Kranky (2023) Spyros Stasis

Niecy Blues – Exit Simulation cover artwork
Niecy Blues – Exit Simulation — Kranky, 2023

The allure of ambient music and its applications in pop structures has always been an important topic for Niecy Blues. It has been a conjunction that the artist has been playing with on shorter releases, in both the 2020 EP CRY and the 2021 single Bones Become The Trees. But, it is with this full-length in Exit Simulation, that Blues can fully dive into the ethereal realm, and in the process unveil the underlying vision. And what is central here is the re-interpretation of blues and R&B, with some sprinkles of gospel music, through an ambient lens.

The mesmerizing start to “1111” sets the tone, the dreamy scenery set through atmospheric means. It is a deconstructed vision of R&B, one that retains the core components but throws away any notion of extravagance. So, feeling, groove and sentimentality stay in for a stunning ride through beautiful soundscapes, something that carries in through “Violently Rooted.” Blues continue to unfold these interpretations throughout the work, as the bass line of “U Care” suggests. Yet, it is not just the more contemporary takes on R&B, exemplified by the likes of D’Angelo or Erykah Badu, that make this point. Blues travels further back in time, nearing the gospel music influence on the genre. It is something that first appears almost accidentally with the final recordings of a choir in “U Care.” But, this initial promise turns into full bloom in the re-interpretation of the genre that is the glorious “Paralysis Analysis.”

It has been always the case that Blues used experimental means to achieve this genre refactoring. Even though these were slightly understated in CRY and Bones Become The Trees, Kranky took notice. Here, Blues liberates this approach further, as the minimal is revealed in the shorter interludes, like “The Nite B4.” Concrete musique ideas appear in “U Care,” and things get only more daring. The disfigured percussive sonic artifacts in “Lament” open the pathway to an alternate dimension, the aspects of R&B momentarily becoming a fleeting mirage. Similarly, the strange percussive qualities of “The Architecture” further highlight the descent into an avant-garde ideal.

Still, it is a balancing act that Niecy Blues performs. The record might be standing between tradition and adventure, but what prevails in the end is a sense of elegance. Exit Simulation is a delicate work, that always feels like it is hanging by a thread. The pristine acoustic guitars of the title track and “Cascade” or the beautiful piano lines in “Soma” flow with emotion and passion, as understated as these might appear. Because beneath the surface is a deep appreciation for the feeling of R&B, the spirituality of gospel, and how these can be reconfigured to a different effect. It is all paralleled through the jazz infusions, stuck in the background of “Soma,” revealing a fiery spirit beneath layers of cool composure.

Niecy Blues – Exit Simulation cover artwork
Niecy Blues – Exit Simulation — Kranky, 2023

Recently-posted album reviews

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more

UDDER

Self Titled
Depose Records (2025)

Some records feel like they were carefully constructed. Others feel like they were barely contained. Udder’s three-song 7” on Depose Records lands firmly in the second category with a short, strange burst of psych-leaning noise rock that feels less like a statement and more like something unearthed. That’s not far from the truth either. Originally formed in the early ’90s … Read more

Various Artists

Louder Than You Think: A Lo-Fi History of Gary Young & Pavement (Original Motion Picture Soundtrack)
Independent (2026)

Gary Young wasn’t just a drummer; he was a beautiful, unpredictable glitch poking a hole in the sky where other lovable misfits could enter and leave this universe they’d grace with their presence. While Hendrix kissed the sky, Young merely bit a hole right through it. While Pavement was busy inventing the 1990s slacker blueprint for the masses, Gary was … Read more