Review
Mutiny Within
Mutiny Within II: Synchronicity

Roadrunner (2013) Sarah

Mutiny Within – Mutiny Within II: Synchronicity cover artwork
Mutiny Within – Mutiny Within II: Synchronicity — Roadrunner, 2013

After releasing their striking eponymous debut in 2010, Mutiny Within were subsequently driven to disbandment by drastically lower than expected sales. Oddly enough, this wasn't due to a lack of musical proficiency but, rather confusingly, seemingly because of it; vocalist Chris Clancy maintains that the album was downloaded illegaly around ten times as often for every copy sold, making it impossible for the band to continue. Whether or not you agree with his diagnosis--or the subsequent creation of his anti-piracy movement, Industry Embers--it's safe to say that we're happy to have them back, and their sophomore album, 2013's Mutiny Within II: Synchronicity picks up right where they left off.

Mutiny Within have established a unique sound--and I don't mean that to be deceptively derogatory. The band blend death metal, progressive metal, and metalcore into a surprisingly lucid whole (and that coming from someone who normally categorically rejects -core bands), writing short, tightly packed slices of frantic, high-enegry metal. If you haven't heard them before, you should expect tons of anthemic, uplifting choruses with soaring, melodic vocals to frame them, all backed up by the most disconcertinly intense machine gun drumming. Seriously, I don't know what drummer Bill Fore is on, but he seems eager to pack as many sixteenth (and what I suspect are occasionally thirty-second) notes as he can into every inch of this album; he busts out his incredibly fast foot chops for fills anywhere and everywhere, even if it doesn't make much in the way of musical sense. It truly is a different aural experience.

The opener and shortest track "Embers" is definitely one of the strongest pieces on the album, packing all of the intensity and catchiness you'd expect from a Mutiny Within song into just under three minutes. "Machines" is another one of the most solid tracks on the album, featuring the band at their highest growl and blast beat fueled brutality. There are also some incredibly sick guitar moments scattered throughout the album, like riff on the into to "In My Veins", or the teasingly short solo on "Falls to Pieces". Needless to say, any listener will find a lot to enjoy here.

Admittedly, it's nothing really new--Synchronicity doesn't exactly push Mutiny Within far beyond the limits they established with their debut. In addition, clocking in just shy of fifty minutes, the album can seem to drag on at times, mostly due to the shorter composition style of the band. But even with that said, it's still a solid release that holds up favourably to their debut; whether or not it's actually stronger will be a matter of taste. I definitely suggest giving this one a listen.

Recommended if you like: Between the Buried and Me, Scar Symmetry, Aeon Zen

7.0 / 10Sarah • April 9, 2013

Mutiny Within – Mutiny Within II: Synchronicity cover artwork
Mutiny Within – Mutiny Within II: Synchronicity — Roadrunner, 2013

Related news

Mutiny Within go on hiatus

Posted in Bands on October 11, 2011

Mutiny Within cancels another tour

Posted in Bands on October 6, 2010

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more