Review
Mouthbreather / Enviornmental Youth Crunch
Split

Rorschach (2009) Loren

Mouthbreather / Enviornmental Youth Crunch – Split cover artwork
Mouthbreather / Enviornmental Youth Crunch – Split — Rorschach, 2009

There's a lot to say about this split. First, it features one great name (Mouthbreather) and one lesser one (Environmental Youth Crunch). What strikes me second is the contrast in band styles, though I'll elaborate on this later. And, third, that it's such a solid release with five songs - it's an EP, not a single.

First on the record is Mouthbreather. They play melodic hardcore that walks the line between street punk and thrash. John Martin has a big lung, posturing feel to his screams and the songs flow well, building energy and then dropping the tempo back down every so often for the pit stompers to catch their breath. The thrash influence lies underneath the more structural elements to their songs. Good stuff, meant to be played loud.

As for Environmental Youth Crunch, they play poppier music that is a strange pairing with the heavier Mouthbreather. EYC play something similar to your run of the mill Plan-It-X bands. It's pop punk with jagged guitars, sloppy vocals, and incredible brevity. They pack three songs on their side with plenty of room to spare. I'm intrigued, but I'd like to see them work the melodies into something a little longer, since the 0:28 "Leap Year" stands out as their best song. The 1:50 "Slow Jamb" is, indeed, their longest song and it actually feels long in comparison with the other songs.

As a nice change, the lyrics are printed on the inside of the cardboard sleeve instead of as an insert.

7.1 / 10Loren • February 1, 2010

Mouthbreather / Enviornmental Youth Crunch – Split cover artwork
Mouthbreather / Enviornmental Youth Crunch – Split — Rorschach, 2009

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more