Review
Mouse Fire
Wooden Teeth

Lujo (2007) Chris S.

Mouse Fire – Wooden Teeth cover artwork
Mouse Fire – Wooden Teeth — Lujo, 2007

Lakeland, Florida has given birth to spawn that has been attempted by many. Consisting of four members, Mouse Fire's debut album Wooden Teeth slices, blends, sometimes smothers, and completes the emo-pop sound forged in the beginning of the 2000's. Musically enchanting in its own right, every one of the twelve tracks contains a sense of musical prowess. Undoubtedly, the talent of these four individuals has been personified over the years.

Vocal frontman and guitarist, Joey Bruce illustrates a mature control of melody and experimentation. He takes risks numerously throughout the album, taking his voice to new levels, attempting new genres of sound. On occasion he falls short, but never the less the attempt portrays a dignified approach to the artistic value of music. Don't box me in, the essential philosophy. Though Mr. Bruce is not a vocal master as of yet, it is a possibility that his crisp and clean musical pronunciation will take him far in the future.

Structurally the band takes fewer risks with lots of hooks. The rhythmic value of each song eventually evolves, if not begins with, a single beat per chord progression. The guitars then follow up with an atmospheric solo-esque, which complicates the music at times, but still keeping it ground nonetheless. In the rhythm section nothing elegant is pronounced, however sometimes that can be positive attribute. Unfortunately, though the talent and skill is present, the creative process enveloping the bass and drum is thin. Simplistic, common, and cliché are words that come to mind. Not necessarily a negative trait, but a bruise for musically cultured tastes.

The recording itself is very well done. The mixing is solid throughout the album and nothing is out of proportion, props to the record label. Say yeah! Each song attempts to complete itself but instead seems to carry on to the next song, providing a repetitive element. It is difficult to imagine one dropping song titles off this album. For a debut album this is definitely a jewel of their time, possibly loved in later generations, but for now the band has a lot of growing to do. Not musically, but creatively. Hooks don't always sell; they just grab ones attention by accident.

6.1 / 10Chris S. • January 28, 2008

See also

Gatsby's American Dream, Kaddisfly, Mae, Emo-Pop

Mouse Fire – Wooden Teeth cover artwork
Mouse Fire – Wooden Teeth — Lujo, 2007

Recently-posted album reviews

Radioactivity

Time Won't Bring Me Down
Dirtnap, Wild Honey Records (2025)

"When I've had enough of modern life, I go back to my analog ways." It's a simple quote, yet it captures so much about Radioactivity. It's been 10 years since the band released Silent Kill, and this time around the Jeff Burke-led group shows clear growth and change, while still capturing the same vibe as the previous two records. In … Read more

Tony Molina

On This Day
Slumberland Records (2025)

I went to a birthday party for my wife and six or seven other friends and acquaintances last night. I guess people liked having sex in January in the late 70s-early 80s? In Canada at least, that’s how we keep warm in the winter! Anyway, I was foraging at the smorgasbord with a couple former co-workers talking about my recent … Read more

Often Wrong

The Figs Are Starting to Rot
Far From Home Records (2025)

Often Wrong is an emo/grunge/screamo hybrid born out of the DIY scene. It was built through the kind of friendships that start in basements, not boardrooms. The band formed in 2024 and quickly started carving out their own lane. They are blending fragile, journal-entry emo with blown-out guitars and throat-shredding catharsis. They’re signed to Far From Home Records, a label … Read more