Review
Mouse Fire
Wooden Teeth

Lujo (2007) Chris S.

Mouse Fire – Wooden Teeth cover artwork
Mouse Fire – Wooden Teeth — Lujo, 2007

Lakeland, Florida has given birth to spawn that has been attempted by many. Consisting of four members, Mouse Fire's debut album Wooden Teeth slices, blends, sometimes smothers, and completes the emo-pop sound forged in the beginning of the 2000's. Musically enchanting in its own right, every one of the twelve tracks contains a sense of musical prowess. Undoubtedly, the talent of these four individuals has been personified over the years.

Vocal frontman and guitarist, Joey Bruce illustrates a mature control of melody and experimentation. He takes risks numerously throughout the album, taking his voice to new levels, attempting new genres of sound. On occasion he falls short, but never the less the attempt portrays a dignified approach to the artistic value of music. Don't box me in, the essential philosophy. Though Mr. Bruce is not a vocal master as of yet, it is a possibility that his crisp and clean musical pronunciation will take him far in the future.

Structurally the band takes fewer risks with lots of hooks. The rhythmic value of each song eventually evolves, if not begins with, a single beat per chord progression. The guitars then follow up with an atmospheric solo-esque, which complicates the music at times, but still keeping it ground nonetheless. In the rhythm section nothing elegant is pronounced, however sometimes that can be positive attribute. Unfortunately, though the talent and skill is present, the creative process enveloping the bass and drum is thin. Simplistic, common, and cliché are words that come to mind. Not necessarily a negative trait, but a bruise for musically cultured tastes.

The recording itself is very well done. The mixing is solid throughout the album and nothing is out of proportion, props to the record label. Say yeah! Each song attempts to complete itself but instead seems to carry on to the next song, providing a repetitive element. It is difficult to imagine one dropping song titles off this album. For a debut album this is definitely a jewel of their time, possibly loved in later generations, but for now the band has a lot of growing to do. Not musically, but creatively. Hooks don't always sell; they just grab ones attention by accident.

6.1 / 10Chris S. • January 28, 2008

See also

Gatsby's American Dream, Kaddisfly, Mae, Emo-Pop

Mouse Fire – Wooden Teeth cover artwork
Mouse Fire – Wooden Teeth — Lujo, 2007

Recently-posted album reviews

Place Position

Went Silent
Blind Rage Records, Bunker Park, Poptek, Sweet Cheetah (2026)

There’s a certain kind of band that makes sense immediately once you see them live. Place Position is one of those bands. Before Went Silent ever landed on my speakers, I caught them at a show I played in Dayton, and they were the kind of band that quietly steals the night. There were no theatrics, no posturing, just total … Read more

Twenty One Children

After The Storm EP
Slovenly (2025)

Hailing and wailing from Soweto, South Africa, rising from the ashes After The Storm comes pounding like a fierce berg wind. Don’t let this trigger your ancraophobia; they are only here (hear) to rip your sagging, middle-aged flesh from your living corpsicle sonically. Ah, Daddy—yes, Son—tell us about a time when punk was raw, dangerous, and would generally stomp your … Read more

Awful Din

Anti Body
We’re Trying Records (2026)

There’s a certain honesty that only comes from bands who’ve spent years playing to half-filled rooms, basements with bad wiring, and bars where the PA is optional. ANTI BODY, the new LP from Brooklyn emo punks Awful Din, sounds like it was built in those spaces. Not as a gimmick, but as lived experience. This is a record that feels … Read more