Review
Mouse Fire
Wooden Teeth

Lujo (2007) Chris S.

Mouse Fire – Wooden Teeth cover artwork
Mouse Fire – Wooden Teeth — Lujo, 2007

Lakeland, Florida has given birth to spawn that has been attempted by many. Consisting of four members, Mouse Fire's debut album Wooden Teeth slices, blends, sometimes smothers, and completes the emo-pop sound forged in the beginning of the 2000's. Musically enchanting in its own right, every one of the twelve tracks contains a sense of musical prowess. Undoubtedly, the talent of these four individuals has been personified over the years.

Vocal frontman and guitarist, Joey Bruce illustrates a mature control of melody and experimentation. He takes risks numerously throughout the album, taking his voice to new levels, attempting new genres of sound. On occasion he falls short, but never the less the attempt portrays a dignified approach to the artistic value of music. Don't box me in, the essential philosophy. Though Mr. Bruce is not a vocal master as of yet, it is a possibility that his crisp and clean musical pronunciation will take him far in the future.

Structurally the band takes fewer risks with lots of hooks. The rhythmic value of each song eventually evolves, if not begins with, a single beat per chord progression. The guitars then follow up with an atmospheric solo-esque, which complicates the music at times, but still keeping it ground nonetheless. In the rhythm section nothing elegant is pronounced, however sometimes that can be positive attribute. Unfortunately, though the talent and skill is present, the creative process enveloping the bass and drum is thin. Simplistic, common, and cliché are words that come to mind. Not necessarily a negative trait, but a bruise for musically cultured tastes.

The recording itself is very well done. The mixing is solid throughout the album and nothing is out of proportion, props to the record label. Say yeah! Each song attempts to complete itself but instead seems to carry on to the next song, providing a repetitive element. It is difficult to imagine one dropping song titles off this album. For a debut album this is definitely a jewel of their time, possibly loved in later generations, but for now the band has a lot of growing to do. Not musically, but creatively. Hooks don't always sell; they just grab ones attention by accident.

6.1 / 10Chris S. • January 28, 2008

See also

Gatsby's American Dream, Kaddisfly, Mae, Emo-Pop

Mouse Fire – Wooden Teeth cover artwork
Mouse Fire – Wooden Teeth — Lujo, 2007

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more