Review
Mork
Det Svarte Juv

Peaceville (2019) Cheryl

Mork – Det Svarte Juv cover artwork
Mork – Det Svarte Juv — Peaceville, 2019

Mork encapsulate the sound of True Norwegian Black Metal from the opening strains of “Mørkeleggelse” to the closing punches of “Det Svarte Juv” and this one-person band from the homeland of cold, harsh black metal is paying homage with their music yet dragging it screaming into the modern era of blackened music. The raw elements are swirling chaos, raw vocals, climbing guitars and desolate darkness and for Mork the abyss beyond the soul is one that needs to be explored and conquered, rather than drowned within. 

Mork’s founder and sole recording member, Thomas Eriksen, has seen the darkness and with Det Svarte Juv he is trying to find his way out of that cavernous hole by seeking the light and harnessing his anger. “Da himmelen falt” is a raucous ode to falling while “På tvers av tidene” showcases a distinctly different side to the band with baritone clean vocals bringing a bittersweet melody to the song and a sense of foreboding to the fore. It’s a stunning break from the forceful nature of the black metal on offer here and it sits proudly forward, giving us a narrative despite the lyrics being in Norwegian and so trickier to decipher if it is not a language you understand. Your understanding comes from tone and speed, the cadence of the words spat out in most songs and the rough textures of the drums hammering the pace forwards. 

“I flammens favn” plays with those clean textures again and the clash between the deep voice and the extremely present drums is one that elevates the song beyond the classic and quintessential style of following track “Skarpretterens øks” which is as early 90s second wave as you can get without actually being a band from that era. There are definitely nods to Darkthrone here but it’s not tackily done by any means, Mork is clearly in debt to those forefathers and so Det Svarte Juv can revel in those olden days while also bringing something new to the table. 

The exceptionally beautiful “Siste reis” swirls with emotion; the guitars build layers of sorrowful sound around a cycling beat while Eriksen’s voice pulls from the depths of darkness to recount the final steps towards the unknown. Det Svarte Juv is a personal journey and one that Eriksen seems to have come through, more or less, intact. Music can be cathartic for listeners but it is also the case for its creators. 

8.5 / 10Cheryl • May 27, 2019

Mork – Det Svarte Juv cover artwork
Mork – Det Svarte Juv — Peaceville, 2019

Recently-posted album reviews

Place Position

Went Silent
Blind Rage Records, Bunker Park, Poptek, Sweet Cheetah (2026)

There’s a certain kind of band that makes sense immediately once you see them live. Place Position is one of those bands. Before Went Silent ever landed on my speakers, I caught them at a show I played in Dayton, and they were the kind of band that quietly steals the night. There were no theatrics, no posturing, just total … Read more

Twenty One Children

After The Storm EP
Slovenly (2025)

Hailing and wailing from Soweto, South Africa, rising from the ashes After The Storm comes pounding like a fierce berg wind. Don’t let this trigger your ancraophobia; they are only here (hear) to rip your sagging, middle-aged flesh from your living corpsicle sonically. Ah, Daddy—yes, Son—tell us about a time when punk was raw, dangerous, and would generally stomp your … Read more

Awful Din

Anti Body
We’re Trying Records (2026)

There’s a certain honesty that only comes from bands who’ve spent years playing to half-filled rooms, basements with bad wiring, and bars where the PA is optional. ANTI BODY, the new LP from Brooklyn emo punks Awful Din, sounds like it was built in those spaces. Not as a gimmick, but as lived experience. This is a record that feels … Read more