Review / 200 Words Or Less
Misericordiam
Unanimity and the Cessation of Hostility

Twelve Gauge (2007) Michael

Misericordiam – Unanimity and the Cessation of Hostility cover artwork
Misericordiam – Unanimity and the Cessation of Hostility — Twelve Gauge, 2007

Unanimity and the Cessation of Hostility is six tracks of blistering death metal that lasts a mere fourteen minutes. And while this EP is extremely short, any longer and the band would have be charged for assault and battery. Las Vegas quintet Misericordiam unleashes a full-on attack of technically amazing riffs and drumming teamed with some of the deepest growls I've ever heard. The artwork to this EP is just as disturbing as the music. Lyrically, the band is quite informative, tackling sociological issues; nothing about rape and murder here, unlike most death metal bands. You've got to admire that. Nevertheless, Misericordiam is the type of band that coalitions of parents form to ban from playing their neighborhoods, and that's cool. So if you're into death metal, grindcore, or just looking for some heavy metal to blow your mind, pick up this EP.

7.0 / 10Michael • July 8, 2007

Misericordiam – Unanimity and the Cessation of Hostility cover artwork
Misericordiam – Unanimity and the Cessation of Hostility — Twelve Gauge, 2007

Related news

Tweleve Gauge Signs Misericordiam

Posted in Labels on November 6, 2006

Recently-posted album reviews

Økse

Økse
Backwoodz Recordz (2024)

Økse is a gathering of brilliant, creative minds. The project's roster is pristine, with avant-jazz phenoms Mette Rasmussen on saxophone, Savannah Harris on drums, and Petter Eldh on bass/synths/samplers joining electronic artist and multidisciplinery extraordinaire Val Jeanty (of the fantastic Turning Jewels Into Water project.) The result is a multi-faceted work that stands on top of multiple sonic pillars, as … Read more

Final

What We Don't See
Room40 (2024)

Justin K. Broadrick's prolific output keeps giving, and may it never stop! The latest release is one of Broadrick's earliest projects, Final, which started in the power electronics tradition but since its resurrection in the early '90s, it is solidly standing in the ambient realm. Final's new full-length What We Don't See continues on the same trajectory, relishing drone's minimalistic … Read more

Bambies

Snotty Angels
Spaghetty Town Records, Wanda Records (2024)

The digital files I’ve been listening to as I write this review are all tagged to begin with the band name, e.g. “Bambies Teenage Night,” “Bambies Love Bite,” etc. It seems like a fitting metaphor. The Bambies play the kind of Ramones-adjacent garage-punk that’s often self-referential and in on their own joke. The Bambies play leather jacket-clad, straight-forward punky songs … Read more