Review
Mayhaw Hoons & the Outsiders
Lime Green

Good Cheer Records (2017) Aideen

Mayhaw Hoons & the Outsiders – Lime Green cover artwork
Mayhaw Hoons & the Outsiders – Lime Green — Good Cheer Records, 2017

When John Lennon went into the studio to record the vocals for "Twist and Shout" he had already taken multiple throat lozenges and even gargled some milk to combat the sore throat he was suffering from at the time. The recording, a throat-shredding, rough-edged track that sounded unlike any of the band's other songs, left Lennon's throat feeling like sandpaper for weeks. At certain points the sound of Mayhaw Hoons & the Outsiders' debut album Lime Green leaves you wondering if this is a take on how The Beatles would've sounded if John Lennon had continued to indulge in a rougher vocal sound.

Hoons, who has played bass in numerous bands in Portland, OR, including The Shaky Hands and Horsefeathers, has traded being a sideman for taking centre stage as the yowling, screeching frontman of his own band. Lime Green, the first album that Hoons has released under his own name, alongside producer and multi-instrumentalist Dustin Dybvig, has refreshingly minimalist production values which lead to a raw, unapologetic sound where the screeching guitars and the serrated vocals sound like they're coming from the room beside you.

The jazzy waltz of "The Swinger" sounds like it could've been a rough cut taken from a studio session in an alternate universe by everyone's favourite mop-haired Liverpudlians, while the yearning cries of "Summer's gone/ Our time's run out" on "Revenge" are surrounded by a disarmingly summery sound that's not dissimilar to Bleached.

Lime Green is a frantic, almost breathless album where the raspy vocals meld with some twinkling piano keys and untarnished guitars. There's a feverish desperation that engenders a short-lived vitality by the middle of the album, which is eventually tempered by the measured, considered closer "Anorexic Again". The self-explanatory song sheds the frantic tremble that characterises the rest of the album, with Hoons ending the song singing "goodbye" over a meandering backing that sounds like an encore that you never want to end. Lime Green comes off as being frazzled and rough, and there is something charming in its unabashed rawness.

6.0 / 10Aideen • February 20, 2017

Mayhaw Hoons & the Outsiders – Lime Green cover artwork
Mayhaw Hoons & the Outsiders – Lime Green — Good Cheer Records, 2017

Recently-posted album reviews

The Flyboys

Complete Flyboys 1979-1980
Frontiers Records (2026)

The archival hunt for the "missing links" of first-wave California punk usually leads through a trail of grainy handbill Xeroxes and tape traders' overdubbed copies. But with The Flyboys, the story has always been a bit more elegant—and a lot more colourful. Long before they were swept into the gravity of the Hollywood scene, frontman John Curry was already performing … Read more

Ultrabomb

The Bridges That We Burn
DC-Jam Records, Virgin (2026)

Ultrabomb just detonated. The Bridges That We Burn isn't some polite "heritage act" victory lap. It smells like a hand-rolled cigarette lit with a blowtorch in a damp Minneapolis alleyway. No reunion uranium glow here—just three lifers who’ve spent their lives in vans and aren’t interested in anything but the friction prediction. The DNA is legendary, but they aren’t coasting … Read more

Sweat

Tear it on Down
Vitriol (2026)

Tear It On Down is the third record from Sweat and it picks up where the last two left off. It's aggressive hardcore punk, but with a playful groove or swagger that really makes it feel uplifting, even when the content is not. Case in point: "Surveillance State," which rolls kind of like a call-and-response song, except that lead vocalist … Read more