Review
Mayhaw Hoons & the Outsiders
Lime Green

Good Cheer Records (2017) Aideen

Mayhaw Hoons & the Outsiders – Lime Green cover artwork
Mayhaw Hoons & the Outsiders – Lime Green — Good Cheer Records, 2017

When John Lennon went into the studio to record the vocals for "Twist and Shout" he had already taken multiple throat lozenges and even gargled some milk to combat the sore throat he was suffering from at the time. The recording, a throat-shredding, rough-edged track that sounded unlike any of the band's other songs, left Lennon's throat feeling like sandpaper for weeks. At certain points the sound of Mayhaw Hoons & the Outsiders' debut album Lime Green leaves you wondering if this is a take on how The Beatles would've sounded if John Lennon had continued to indulge in a rougher vocal sound.

Hoons, who has played bass in numerous bands in Portland, OR, including The Shaky Hands and Horsefeathers, has traded being a sideman for taking centre stage as the yowling, screeching frontman of his own band. Lime Green, the first album that Hoons has released under his own name, alongside producer and multi-instrumentalist Dustin Dybvig, has refreshingly minimalist production values which lead to a raw, unapologetic sound where the screeching guitars and the serrated vocals sound like they're coming from the room beside you.

The jazzy waltz of "The Swinger" sounds like it could've been a rough cut taken from a studio session in an alternate universe by everyone's favourite mop-haired Liverpudlians, while the yearning cries of "Summer's gone/ Our time's run out" on "Revenge" are surrounded by a disarmingly summery sound that's not dissimilar to Bleached.

Lime Green is a frantic, almost breathless album where the raspy vocals meld with some twinkling piano keys and untarnished guitars. There's a feverish desperation that engenders a short-lived vitality by the middle of the album, which is eventually tempered by the measured, considered closer "Anorexic Again". The self-explanatory song sheds the frantic tremble that characterises the rest of the album, with Hoons ending the song singing "goodbye" over a meandering backing that sounds like an encore that you never want to end. Lime Green comes off as being frazzled and rough, and there is something charming in its unabashed rawness.

6.0 / 10Aideen • February 20, 2017

Mayhaw Hoons & the Outsiders – Lime Green cover artwork
Mayhaw Hoons & the Outsiders – Lime Green — Good Cheer Records, 2017

Recently-posted album reviews

Vial

Hellhound
Trout Hole Records (2026)

I was really into the last Vial record, a quick burst of peppy and pointed brat punk. The early singles off Hellhound lean way more grunge, so I was curious how the band had developed in the past couple of years. And while my very first impressions of "Infected" and "Scorpio Moon" had me thinking of L7 and Nirvana, by … Read more

Mauled

When Your Eyes Are Shut
Silverback Gorilla Records (2026)

Deathcore has spent the last decade mutating into increasingly technical, polished, and theatrical territory. Some bands chase symphonic grandeur. Others lean into hyper-technical brutality. The Indianapolis wrecking crew named Mauled take a different approach on When Your Eyes Are Shut. They drag the genre back toward the raw chaos of its early years. This six track EP feels deliberately rooted … Read more

DMZ

The Lost Studio Sessions-1978
Crypt Records (2026)

The Lost Studio Sessions 1978 finally sets the record straight. This is the raw, ugly power the band’s debut never touched. For years, the DMZ legacy has been misunderstood because of that Sire LP. Look, it was the first record of theirs I ever heard and I still love it—but Flo & Eddie’s production smoothed over everything that made them … Read more