Review
Mayhaw Hoons & the Outsiders
Lime Green

Good Cheer Records (2017) Aideen

Mayhaw Hoons & the Outsiders – Lime Green cover artwork
Mayhaw Hoons & the Outsiders – Lime Green — Good Cheer Records, 2017

When John Lennon went into the studio to record the vocals for "Twist and Shout" he had already taken multiple throat lozenges and even gargled some milk to combat the sore throat he was suffering from at the time. The recording, a throat-shredding, rough-edged track that sounded unlike any of the band's other songs, left Lennon's throat feeling like sandpaper for weeks. At certain points the sound of Mayhaw Hoons & the Outsiders' debut album Lime Green leaves you wondering if this is a take on how The Beatles would've sounded if John Lennon had continued to indulge in a rougher vocal sound.

Hoons, who has played bass in numerous bands in Portland, OR, including The Shaky Hands and Horsefeathers, has traded being a sideman for taking centre stage as the yowling, screeching frontman of his own band. Lime Green, the first album that Hoons has released under his own name, alongside producer and multi-instrumentalist Dustin Dybvig, has refreshingly minimalist production values which lead to a raw, unapologetic sound where the screeching guitars and the serrated vocals sound like they're coming from the room beside you.

The jazzy waltz of "The Swinger" sounds like it could've been a rough cut taken from a studio session in an alternate universe by everyone's favourite mop-haired Liverpudlians, while the yearning cries of "Summer's gone/ Our time's run out" on "Revenge" are surrounded by a disarmingly summery sound that's not dissimilar to Bleached.

Lime Green is a frantic, almost breathless album where the raspy vocals meld with some twinkling piano keys and untarnished guitars. There's a feverish desperation that engenders a short-lived vitality by the middle of the album, which is eventually tempered by the measured, considered closer "Anorexic Again". The self-explanatory song sheds the frantic tremble that characterises the rest of the album, with Hoons ending the song singing "goodbye" over a meandering backing that sounds like an encore that you never want to end. Lime Green comes off as being frazzled and rough, and there is something charming in its unabashed rawness.

6.0 / 10Aideen • February 20, 2017

Mayhaw Hoons & the Outsiders – Lime Green cover artwork
Mayhaw Hoons & the Outsiders – Lime Green — Good Cheer Records, 2017

Recently-posted album reviews

Karen Dió

Fugaz
Hopeless (2026)

Six songs. That's all Karen Dió needs on this EP. Considering the title translates roughly to fleeting, brief, or transient in Portuguese, maybe that's exactly the point. Dió's second EP doesn't hang around long enough to overstay its welcome. It arrives, makes a hell of a lot of noise, throws some gigantic hooks at you, and disappears. But there's considerably … Read more

Real Numbers

Was It Always This Way
Slumberland Records (2026)

I feel like this may be the first 12", 10-song release in my collection from Real Numbers, a dreampop meets jangle-indie rock band from Minneapolis. I'm not going to fact check my statement, because I mean it as a metaphor. Real Numbers play exactly what you'd expect based on my short description so far, but there's always something just a … Read more

Alien Nosejob

How A Mosquito Operates
Anti Fade, Iron Lung (2026)

The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of how many records Jake Robertson has now released under the name. I'll just say that while the first couple took some direction changes, the project seems to have found its footing in 1980s-influenced hardcore. With 17 songs in 24 minutes, … Read more