Review
Maker
Mirrors

6131 (2011) Jon E.

Maker – Mirrors cover artwork
Maker – Mirrors — 6131, 2011

Maker have been a band for a few years now crawling out of the Massachusetts hardcore scene. The band play a style of pop punk that relies on speed and bolstered by breakdowns and gang vocals. The band had signed to 6131 records about a year ago after a handful of EPs and Split records. So far nothing particularly different from any other band in their scene really.

The band start of fast with the energetic title track. The band rattles through one of the longer songs on the record (clocking in at three and a half minutes) starting pretty fast with forceful melodic vocals and gang chants throughout. While it may seem strange to start the record with one of the longer songs in a weird way it seems to work. The song features a little bit of everything that the band does musically. Sadly this also leaves the things the band does best to be overshadowed by the other things the band does. This is remedied to a degree by the second track "Earthquakes". This song focuses almost solely on the more melodic aspects of the band. Building the song with clean melodic vocals allows the song to sound pretty emotional and it continues to build from there. The song never seems to devolve into shouting or gang chants, also there is nary a breakdown to be found. While it would be hard to say anything bad about this song it seems to drain much of the energy that the band would generally want to start their record with.

Everything on the record is played well with a sense of purpose for each part or instrument. The drums make good use of this as they are played with force but still allow room for short fills and breaks. Otherwise there isn't much to truly separate Maker from their peers which i could venture to include bands such as The Story So Far and Such Gold among others. Thats where the intangibles come in which play a huge role in the reasons for this band to stick out.

There are a few small caveats with this record. The aforementioned sequencing issues do appear throughout, amazingly each time this does come up the band seems to step up and by the next track the record has picked up again. The production is super clear allowing no grit to come through, ever this makes the record sound completely flat at points while in others it makes the vocals or guitar lines sound bigger than the world.

Overall Maker are a band for anyone into this style of pop-punk to keep their eye on if they don't know of them already. This young band has managed to do a good job on their debut although it also shows how much further they have to go to lead the pack. This is a good start and a rather enjoyable record overall.

7.1 / 10Jon E. • March 5, 2012

Maker – Mirrors cover artwork
Maker – Mirrors — 6131, 2011

Related features

Chairmaker

One Question Interviews • December 30, 2025

Wagemaker

One Question Interviews • December 10, 2025

Watchmaker

Interviews

Related news

Chairmaker makes a record

Posted in Records on September 21, 2025

Dikembe delivers "Haymakers"

Posted in Bands on May 20, 2025

Shotmaker drops a 3xLP box set

Posted in Records on September 17, 2023

Recently-posted album reviews

Alien Nosejob

How A Mosquito Operates
Anti Fade, Iron Lung (2026)

The one-man band of Alien Nosejob continues to crank out short, angry hardcore in quick bursts. I've lost count of how many records Jake Robertson has now released under the name. I'll just say that while the first couple took some direction changes, the project seems to have found its footing in 1980s-influenced hardcore. With 17 songs in 24 minutes, … Read more

Cancer Bats

Give Me Dirt
Marshall Amplification PLC, New Damage records (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more