Review
Mace
Beef

Richter Scale (2021) Dennis

Mace – Beef cover artwork
Mace – Beef — Richter Scale, 2021

I doubted about reviewing this, but decided to do so anyway. I doubted about it as this is a re-release and I don’t want to make a habit out of reviewing those. This leads to an interesting time-line: this album is recorded in 2017, released on vinyl in 2019 and re-released on tape in 2021. And in 2022 I finally pick this up. That’s about time…

What piqued my interest was the mention of members of BIB being involved in this band. This is just one of the bands that this Mace shares (or shared) members with. I’ll be fair with you and admit that I’ve heard about Gas Rag, but Worn OutMen As Witches and Cohete are band names that I don’t recognize. BIB though is a band I enjoy with their obnoxious hardcore. Mace however is a different beast.

Mace plays that kind of hardcore that takes you back to early hardcore, most notably what was released on Revelation Records for example. If you focus on the bands in that niche that keep it as simple and straightforward as possible you’ll get there. Old school hardcore, but of the neanderthal variety if you wish (and I mean that as a compliment). The best bands in that niche always had a knack for writing memorable tunes. Add to that a singer that reminds me of the singer of Snob and you should be able to picture their sound.

What I enjoy most in this particular hardcore sound are the EP’s. These bands came in, threw their message in with a couple of short songs and the EP is over five to ten minutes later. Mace surprises me there by releasing a full length with no less than eighteen tracks. And still this release is over before you know it. And more importantly: is never boring and keeps the energy levels as high as can be the whole ride. There is one track with an epic length of no less then 1:46. All other tracks are shorter, around a minute appears to be a good song length for Mace.

Like the best bands in this genre Mace has knack for writing tunes that come in swinging, not much subtlety to be found. Perhaps they’ll throw in an old school break down after which they move on to the next song. They do have something good going on, as Beef keeps me focused for the whole time. These tunes are energetic as can be.

The production is very basic. Every instrument can be heard, including the bass guitar, which I enjoy. The downside of the production is that the drum sound is a bit messy when I listen to this on my headphone. A bit too up front. I don’t hear this when I play this over my speakers.

Mace is doing nothing new or groundbreaking. Perhaps I am looking in the wrong direction, but I don’t hear this sound too often nowadays. And I miss that. So I am happy to have found out about their existence. And that's the main reason for me to still review Beef. Now go to their Bandcamp and add this release to your collection!

8.0 / 10Dennis • February 1, 2022

Mace – Beef cover artwork
Mace – Beef — Richter Scale, 2021

Related news

New from RSE

Posted in Bands on June 19, 2015

Recently-posted album reviews

Cancer Bats

Give Me Dirt
Marshall Amplification PLC (2026)

ALBUM HIGHLIGHTS – “Bright Eyes of Gold”, “Give Me Dirt”, “Long Tooth”, “Fools Like You” Almost exactly two years ago, on 8th August 2024, Cancer Bats played Conne Island in Leipzig – a choice they would live to regret. Unbeknownst to them at the time, the centre had slowly become renowned for its radical politics and, more recently, the ban … Read more

Tyler Sonnichsen

The Dead Milkmen
J-Card Press (2026)

When I saw The Dead Milkmen at Toronto’s Diamond Club back in the late 1980s, the floor was a volatile, beautiful mess of colliding subcultures. It was like different species of house flies bumping into one another, wondering what the hell you were doing in the mason jar. You had suburban high school pocket-pen-protector pencil-neck nubile nerds, college radio snobs … Read more

Opus Kink

The Sweet Goodbye
So Recordings (2026)

ALBUM HIGHLIGHTS – “Come Over, Do Me Wrong”, “The Sweet Goodbye”, “I Have to Shine My Sunday Shoes”, “Crucify!” Opus Kink sound like nobody else. To call them “jazz punk” is to massively oversimplify it. In fact, there’s not much traditionally “punk” about them. If anything, it’s “noise rock”, but with traces of almost every other genre you could name. … Read more