Review
Love Collector
My Baby Goes Waaah!

Big Action (2009) Loren

Love Collector – My Baby Goes Waaah! cover artwork
Love Collector – My Baby Goes Waaah! — Big Action, 2009

What you get with Love Collector is pretty straightforward. Only a few seconds into "My Baby Goes Waaah!," the titular track on this 7", it's clear that this is a band that plays punk-fused garage rock, with lots of guitar, a few pedals, and lots of attitude hovering around the two-minute-per song mark. It's also the kind of rock where lyricism is a near non-factor. The lyrics tend to be insipid: a case in point being the titular song and excerpts like "I want to be her man / When she hits me with a frying pan / My baby she's such a brat / I want to beat her with a baseball bat" It's irreverent and fun, with the guitar hooks being the primary force. The lyrics are a little snotty and overdone, which somewhat detracts from the rollicking energy.

The B-side continues in like manner, with "Tell Me," which channels The Hives, but runs the familiar sound through a wash cycle, distorted and sped up. Both of the b-sides are less cartoonish on the love subject, and it makes up an interesting single with the recurring thematic approach of songs about girls. All three are up-tempo, keep-your-foot-tapping songs that, while maintaining a very precise genre feel, also differentiate from one another in large part due to the choruses. There's a formula to their songwriting, but can you really go wrong with short, loud, and fast?

7.4 / 10Loren • April 11, 2010

Love Collector – My Baby Goes Waaah! cover artwork
Love Collector – My Baby Goes Waaah! — Big Action, 2009

Recently-posted album reviews

Dream Fatigue

No Requiem
Daze (2026)

There’s a particular tension that makes alternative rock compelling. I love the emotional push and pull between softness and eruption. On No Requiem, Massachusetts outfit Dream Fatigue thrive in that space, crafting a seven song EP that balances dreamlike melody with bursts of distortion and emotional urgency. Born from the creative partnership between drummer Matt Wood and vocalist Jonali McFadden, … Read more

The Went Wrongs

This Isn't What I Ordered
Transcendental Revolution (2026)

I'm not sure what's happening to me in middle age. I used to find samples clever and a nice change-of-pace technique on albums. But lately I feel like they interrupt instead of compliment what I'm hearing. This Isn't What I Ordered starts off really strong with fast, melodic and personalized punk over the first few songs. Then the sound clips … Read more

Spillings

Spillings
The Garotte (2026)

Spillings is a minimalist reconfiguration undertaken by two artists whose careers have been about genre deconstruction. The paths of Mathieu Ball and Liam Andrews have been running on parallel tracks, but both have been aiming for a similar endpoint. That is to strip down the heavy, experimental rock form, while at the same time retaining its destabilizing core. With Big … Read more