Review
Lorn
Arrayed Claws

I, Voidhanger (2017) Spyros Stasis

Lorn – Arrayed Claws cover artwork
Lorn – Arrayed Claws — I, Voidhanger, 2017

I still remember when Lorn released their debut full-length, Towards the Abyss of Disease, where their raw and unapologetic black metal blew me away. Their sound was well structured, and even though it was not diverging from the core of the genre, they achieved in building a distinct sound, within the traditional boundaries.

Unfortunately, releases have been quite sparse for Lorn, and given that in fifteen years they have put out only two full-length albums, it is no wonder that their name is not very well known. But still, their presence was retained with their participation in split releases, the more interesting of which is Enshroudment of Astral Destiny alongside Battle Dagorath and Darchon. That step opened up new possibilities for Lorn, something that became apparent in their sophomore record, with the fitting title, Subconscious Metamorphosis.

In a way the first EP of the band, Arrayed Claws, is a further expansion of their sophomore record. The black metal tone of the band has been expanded to accompany ambient elements, but the implementation of such tendencies does not cause them to alter their black metal core. The guitars scream with their cyclothymic nature, unpredictable in their progression, while sudden breaks make it a nauseating listen. This is what makes the very essence of Lorn, this dissonant structure coupled with a dense layering of different parts, able to turn the cacophonous lead work, in the second part of “Abstract Trap” for example, into memorable hooks.

The record binds together the primal black metal instinct with the adventurous aesthetics of ambient music and psychedelia. Without causing tripped out sceneries, the repetitive nature of the tracks is able to enhance at the same time the vulgarity of their music, but also the mesmerizing theme that runs beneath. The ambiance on the other hand is augmented further since the days of Subconscious Metamorphosis, with Lorn plunging their roaring riffs into a sea of minimalistic passages, creating a cosmic black metal result. It is a work of brainy extreme metal, with Lorn retaining a fine balance. While managing to stay full on within the traditional approach of the genre, they shake things up with some very nicely applied additions.

Lorn – Arrayed Claws cover artwork
Lorn – Arrayed Claws — I, Voidhanger, 2017

Related news

Lorne Behrman's When I Hit The Floor

Posted in Records on August 22, 2021

A Lovelorn debut (ex-Creepoid)

Posted in Records on April 25, 2021

Lorna Doom (1958-2019)

Posted in Obituaries on January 21, 2019

Recently-posted album reviews

The Devil Wears Prada

Flowers
Solid State (2025)

Twenty years into the grind and The Devil Wears Prada haven’t lost their edge. However, in recent years, it’s a bit more refined and less jagged than their earlier release. The band’s latest release, Flowers, feels like their sharpest, most well-oiled bloom yet. From the opening track “That Same Place” to the closing “My Paradise”, this record is a reckoning. … Read more

DFMK

Playa Nuclear
Alternative Tentacles (2025)

DFMK have been playing since 2009, but Playa Nuclear is just their second full-length. It kicks off with exactly what I expect of the band in "Mi Rutina" -- a driving punk song with lots of high energy, guitar-driven bridges; Mr. Cap on vocals and doing near-splits between songs; and a general melodic flow that balances nervous energy with a … Read more

Action/Adventure

Ever After
Pure Noise (2025)

Chicago’s Action/Adventure have been grinding the pop-punk trenches since 2014. They have always played pop-punk like it still has something to prove because for them, it does. They went viral in 2020 on TikTok with their song “Barricades” by calling out the exact thing no one in the scene wanted to say out loud. The genre is full of white … Read more