Review / 200 Words Or Less
Lockerbie
Ólgusjór

Kapitän Platte (2012) Sarah

Lockerbie – Ólgusjór cover artwork
Lockerbie – Ólgusjór — Kapitän Platte, 2012

I'll admit, I wasn't expecting to enjoy this album quite as much as I did. Though it's not perfect, Lockerbie's 2011 release Ólgusjór is something that pretty much everyone will find something to like about.

They have the same kitschy Icelandic appeal and post-rock sound of Sigur Rós combined with the accessibility and songwriting of Coldplay. There are tons of bright pianos and synthesized brass; short, versechorus songs; predictable, gratifying melodies; and swelling cathartic buildups to be found on this album. Basically nothing that could possibly be abrasive to the senses.

The only major issue with it is that it tends to get a bit repetitive. There isn't a lot of change up in the sound on the album, and after forty minutes of it, you can get a bit sick of it. Then again, that tends to be a matter of personal taste; if that sounds like your thing, more power to you.

Though there isn't a lot of challenging material here, Ólgusjór is nonetheless a really enjoyable experience. If you need a nice, laid-back album to listen to that still has emotional movement, look no further.

6.5 / 10Sarah • July 19, 2012

Lockerbie – Ólgusjór cover artwork
Lockerbie – Ólgusjór — Kapitän Platte, 2012

Recently-posted album reviews

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more

Sewer Urchin

Global Urination
Independent (2025)

There’s a fine line between crossover thrash that feels dangerous and crossover thrash that just feels like a party. Global Urination doesn’t bother choosing because it does both loudly and without apology. St. Louis’ Sewer Urchin have been grinding since 2019, and on their latest full length they double down on everything that makes the genre work. They give us … Read more

Ingested

Denigration
Metal Blade (2026)

For a band that built its name on sheer brutality, Ingested have spent the last several years refining what that brutality actually means. With their newest release, Denigration, the band finds that continuing evolution. They’re still punishing, still precise, but noticeably more controlled and deliberate in how it all lands. From the outset, the record makes its intentions clear. “Dragged … Read more