Review / 200 Words Or Less
Living Colour
Shade

Megaforce (2017) Kevin Fitzpatrick

Living Colour – Shade cover artwork
Living Colour – Shade — Megaforce, 2017

When Living Colour toured earlier this year performing their debut album Vivid for the almost 30 year anniversary, a lot of folks were ecstatic, thinking one of their favorite bands were back together again.

Problem is, they hadn’t broken up. I mean they did for a few years in the '90s, but they’ve been touring and making music together since their reformation in 2000. Admittedly, their studio output has bands like Metallica saying “Jesus, those guys take a long time between albums”, but here we are - eight long years after The criminally underrated Chair In The Doorway, with the group’s latest effort, Shade.

For those familiar with Living Color’s output over the years, Shade is everything you would expect from the band. Tight-as-fuck grooves set forth by bassist Doug Wimbish and drummer Will Calhoun. Soulful truth from vocalist Corey Glover. And bringing it all together with his controlled chaos is guitarist Vernon Reid.

His style has changed somewhat over the years but very much for the better. Much more nuanced. Check out tracks like Inner City Blues to know what i mean. Just don’t mistake “nuanced” for mellow, because there’s not a single track on this album that isn’t going to make you want to shake your ass.

Living Colour – Shade cover artwork
Living Colour – Shade — Megaforce, 2017

Advertisement

DCxPC 2025

Recently-posted album reviews

Gus Baldwin & The Sketch

The Sketch
Permanent Teeth (2025)

When The Sketch opens, I find myself quickly thinking of “Got The Time” by Joe Jackson. For the most part, that comparison fades by the time the power chords kick in at 10 seconds, but I also bring it up because (at least in my mind) that’s a classic track that doesn’t get enough fanfare. No artist wants constant “sounds … Read more

Chat Pile

Cool World
Flenser (2024)

The great American experiment has a wide range of experiences, but it tends to focus on the coasts. There are countless dystopian pieces of art, often culling from a Warriors-esque concept of urban grit. Chat Pile play dystopian, brutal noise-punk, but from a distinctly middle American point of view where instead of civilians shadowed under dense skylines, their anonymity instead … Read more

The Anomalys

Down The Hole
Slovenly (2024)

If I have to give the elevator pitch, I’ll call The Anomalys garage rock with an ear for surf and psyche rock -- turned up to 11 and blasted through blown out speakers in an old 1980s sedan. It’s high-energy, no-frills rock ‘n’ roll with attitude. While it’s short, loud and fast, there’s also quite a bit of nuance and … Read more