Review
King Khan & the Shrines
Idle No More

Merge (2013) Loren

King Khan & the Shrines – Idle No More cover artwork
King Khan & the Shrines – Idle No More — Merge, 2013

In King Khan & the Shrines, King Khan goes big band. Not in the jazz sense, but in a horn-laden variety a la Memphis rock with some James Brown thrown in for good measure. It’s leg-kicking, camelwalkin’ rock with horns that fill out the sound over a funky groove.

While the energetic frontman has a knack for rock ’n’ roll, especially going back to the early days, the sheer scope of The Shrines is grand. And along with that ten-piece band comes a big sound—and one that sometimes gets lost in itself. With 12 songs total, the record varies from cut to cut. It effectively maintains a specific sound that pulls from early rock but it’s never formulaic or derivative—which is a pretty big complement considering what the band is going for. Unfortunately, it never really eclipses the figureheads of the style either, basking in pleasant and easy-listening mediocrity when it could be shaking the chandeliers out of their mounts. It goes bigger in songs like “Bite My Tongue,” “Bad Boy,” “So Wild,” and “I Got Made” (see a theme here?), but those songs are all merely good, never quite passing to the next level. Those are also the standouts. The mid-tempo pieces like “Thorn in Her Pride” accomplish their goals of horn-driven melodic and old-timey rock just fine, it’s just that after a couple songs of this sort, I lose interest. This song is also guilty of one of the lower points on the record, too, with its “bah bah bah” chorus. That and the balladry of “Pray for Lil” have me hitting that skip button all too quickly.

The group does expand beyond the horny boundaries in songs like “Better Luck Next Time,” a sunshine rock song that would fit right into a Scooby Doo chase scene, and the British Invasion/Kinks-inspired “Yes I Can’t.” The former song is catchy but a bit too cute, while the latter piques interest. “Darkness” is a nice ballad, capturing a somber tone and helping to round out the emotional reach of the record.

All in all, Idle No More is an album that will attract fans of these already established styles, but it doesn’t do a lot to differentiate itself from what’s already out there. Sometimes the songs aim too high, getting lost by going kitchen sink where a simple lick or horn would have sufficed, and that larger production detracts from those very base-level qualities that primal rock thrives upon.

6.7 / 10Loren • January 20, 2014

King Khan & the Shrines – Idle No More cover artwork
King Khan & the Shrines – Idle No More — Merge, 2013

Related news

Ghost Ship Fire Compilation Benefit Album

Posted in Records on December 10, 2017

Advertisement

DCxPC 2025

Recently-posted album reviews

Detention

Dead Rock ‘N’ Rollers
Left For Dead Records (2024)

Life ain’t so easy in the detention home- Dead Boys. Emerging from the underbelly of Jersey, made up primarily of three brethren. Raised on rock and roll and sipping from the chalice of early punk rock stalwarts like Da Bruddahs from Queens, Hey Ho! and the Pistoleros of Sexual Nature screaming banshees from across from the large pond. Thus forging … Read more

Nightfreak

Nightfreak
Big Neck Records (2024)

Semi-feral punk outfit NightFreak are back with a self-titled LP filled with breakneck riffs and 70s metal bombast. The Chicago group haven’t slowed down since 2022’s Speed Trials but they have filled out. NightFreak the album is lousy with warm back beats and melodic guitars; although, hardcore vocals and tight drums still reign supreme. Album opener “Blackout” is dead serious … Read more

Death By Unga Bunga

Raw Muscle Power
Jansen Records (2025)

I’m pretty sure I became aware of Mike Krol when The Whiffs posted about playing some shows with him. Krol is a bit of an anomaly. Not only is he on Merge and collaborates with Mac Superchunk- a dream scenario imo- but he’s also been elusive of my fan boy attempts at cold dm’ing him about stuff even tho we … Read more