Review
Khlyst
Chaos is My Name

Hydra Head (2006) Tyler

Khlyst – Chaos is My Name cover artwork
Khlyst – Chaos is My Name — Hydra Head, 2006

Khlyst, being comprised of James Plotkin (formerly of Khanate and involved in a multitude of other projects) and Runhild Gammelsaeter (formerly of Thorr's Hammer), could easily be expected to produce some of the most unsettling music out there. But Chaos is My Name is almost too avant-garde for its own good.

Chaos is My Name has an ebb and flow to it: alternating between tracks of Gammelsaeter's demented shrieks accompanied by free-form, almost pain-inducing, guitar shredding and tracks of eerie ambient soundscapes. Not to discredit either member, but I think the album would be better if it left out the random bursts of guitar and focused on the ambient bits, which are, after all, some of the creepiest sounds that were committed to tape last year.

Even though I like at least 90% of what Hydra Head releases, I'm still starting to get the impression that the head honchos have realized they can put out just about anything and people will eat it up just because of its association with Hydra Head. Again, I'm not saying this is a bad album. It has its own unique sound and it definitely accomplishes the task of sending shivers up the spine, which I am sure was intended. Yet, I think it has some flab that drags it down a little.

The album is split into eight tracks numbered with Roman numerals and it was definitely intended to be listened to as one cohesive piece of music. Overall, it's about 80% quality ambient soundscape and 20% filler, mostly because those high-pitched squeals are almost unlistenable. But this is a must-own album if you're into James Plotkin in any form. All in all, I see a lot of potential based on Chaos is My Name and I hope to see more material in the future from this recording project.

7.7 / 10Tyler • March 11, 2007

Khlyst – Chaos is My Name cover artwork
Khlyst – Chaos is My Name — Hydra Head, 2006

Recently-posted album reviews

Nicole Alexis

Mirrors & Smoke
Independent (2026)

There’s a fine line between stripped down music and so stripped back that is sounds empty. On Mirrors and Smoke, Nicole Alexis lands comfortably on the right side of that line, delivering a debut EP that leans into simplicity without losing its emotional weight. Built around acoustic arrangements and minimal production, the EP feels intentionally close. It feels like these … Read more

The Remote Controls

Too Tough
Fail Harmonic Records, Mom’s Basement Records (2025)

There’s a certain kind of punk band that doesn’t overthink things. No reinvention, no genre-bending manifesto, just fast songs, big hooks, and enough attitude to carry it all. Indianapolis’ The Remote Controls lean hard into that tradition on Too Tough, a record that feels less like a statement and more like a well-earned victory lap. Built on a steady diet … Read more

Sahan Jayasuriya

Don’t Say Please: The Oral History of Die Kreuzen
Feral House (2026)

For those of us who spent the mid-to-late 1980s navigating basement community halls, churches, and loveable, armpit-smelling dive bars, the name Die Kreuzen was a permanent fixture on the punk rock radar. They were the sound of the Midwest underground --too fast for the goths to do their spooky Bela Lugosi "shoo the bats away" interpretive dance, too technical for … Read more