Review
Kevin Hufnagel
Transparencies

Nightfloat (2011) Sarah

Kevin Hufnagel – Transparencies cover artwork
Kevin Hufnagel – Transparencies — Nightfloat, 2011

For those of you that don't recognize the name, Kevin Hufnagel is actually a fairly prolific musician, playing in technical and progressive metal bands like Dysrythmia and Gorguts. And, funnily enough, that's exactly what his 2011 solo album Transparencies is not. Instead, Hufnagel delves into ambient music, with great success.

His ambient creations on this album have that powerful cathartic effect of post-rock without any of the large instrumentation to it, though the requisite thickness is still achieved by guitar alone. The pieces are all very emotionally moving; no joke, just listening to this album can bring me to tears at times. The sheer beauty of his work here is admirable, especially for someone who has primarily written metal until this point.

The opening track “Sunshower” is one of the strongest pieces on the album, even though it's also one of the shortest. There's just something about the brightness of it in comparison to the somewhat more melancholy rest of the album that makes it so very satisfying. The cosmic “Passing On”, also one of the shortest tracks, creates this eerie sense of floating through space on your own, with only the gradual builds to bring some indication of what's going on outside your body. “Early Light” sounds like drifting through the middle of an ocean while the sun rises in the distance, waves gently lapping at your sides.

The pieces where Hufnagel turns down the distortion and lets the guitar play more clearly are also on the stronger end. The repetitive strumming of songs like “Static Aquarium” and “Slow Motion Return” is hypnotic, lulling you into a restful state of musical contemplation that sounds about as close to Nirvana as you can get on Earth.

Though they do have a bit more development and experimentation, some of the longer tracks like “Ever Rest” and “Arferno” can be a bit drawn out in comparison to the rest of the selections on the album, making them a bit tedious at times. Nonetheless, they still manage to be emotionally sweet pieces, and any weaknesses they may have are far outweighed by their strengths.

This is an absolutely fantastic ambient album, and heavily recommended to any fans of ambient music or anyone seeking an enjoyable, easy listen in general. I guarantee this album will appeal to anyone and everyone, so please do give it a listen.

9.0 / 10Sarah • July 16, 2012

Kevin Hufnagel – Transparencies cover artwork
Kevin Hufnagel – Transparencies — Nightfloat, 2011

Recently-posted album reviews

Menace Ruine

The Color of the Grave Is Green
Union Finale Records (2025)

One of the most unique voices in extreme music, Menace Ruine stand out in their sonic evolution. The duo of Geneviève Beaulieu and Steve de la Moth started out in a raw, uncompromising fashion, merging black metal and industrial to create absolute havoc in Cult of Ruins and The Die is Cast. In the coming years, they would expand this … Read more

Extortionist

Stare Into The Seething Wounds
Unique Leader (2025)

With a band name like Extortionist, you instantly know they aren’t messing around. I’ve watched enough true crime documentaries to know when you’re going to get tangled up with someone you shouldn’t. Hailing from the Pacific Northwest, this band gives you exactly what you want and expect – raw, merciless and unforgiving music. Looking at the cover art and their … Read more

The Carolyn

Pyramid Scheme of Grief
59X, Disconnect/Disconnect (2025)

This is one of my "find" records of the year so far. I caught a few songs by The Carolyn at FEST 22 and that essentially put them on my radar, but a new record gets a band even more on my radar. But I've been struggling on how to describe The Carolyn. I'll start with "like The Lawrence Arms, … Read more