Review
Keith Canisius
This Time It's Our High

Darla (2010) Jon E.

Keith Canisius – This Time It's Our High cover artwork
Keith Canisius – This Time It's Our High — Darla, 2010

Keith Canisius is a lesser known musician who managed to be born in the USA and move himself out to Denmark. This album is not his first for certain. In the time between albums he has made a mark on the growing dream-pop and shoegaze scenes. The man has clearly been able to create a fan base using a backing band for his shows. All of these things are of little importance to the album as a whole. The fans you build on the road need an album to show them what you're up to.

This album does well more than just show what Keith has been up to since his last album or tour date. This album shows a musician with a real reverence towards his influences. While, not being merely a second generation Slowdive or My Bloody Valentine, the songs use these obvious influences to feed his other tastes. From the shimmering electronics guiding the opening track "Peoples Faces" to the stomping drums of the next song, each song gets what it needs and nothing less. While the electronics are obvious and at times carry a certain european bent, they act to drive the songs ahead and make them stand out. There are two things that truly stand out about any above average dream-pop or shoegaze records and that is the guitar and vocals. The guitars range from poppy clean strumming to effects drenched washes. Neither of these techniques take precedence as each song gets it's own touch. Meanwhile the vocals carry a melodic, lilting quality that gives the song a dream like feel. The real trick is that when the vocals are overdubbed to create a chorus. Sometimes this works when it is not abused, on the other hand there are songs like "Inner Blue, Outer Red". While this song is quite beautiful once it gets to it's post climax break the main part of this song is a collage of voices layered over each other. Even though this effect can create a dreamlike effect it does not in this case. Instead it creates a rather meandering unsettling effect for the listener.

The Production overall is impeccable. Everything is extremely clear with nothing left to chance the listener is allowed to be fully engaged in the record. This is something that allows for everything to be felt and rather than giving a single or a simple track for the listener to cling to it creates a sound scape. Save for a few missteps this is one of the standout records in this current wave of bands in this genre. The album gives one something to look for in the future as it hints at further experimentation with even stronger results.

7.8 / 10Jon E. • July 11, 2011

Keith Canisius – This Time It's Our High cover artwork
Keith Canisius – This Time It's Our High — Darla, 2010

Recently-posted album reviews

Pallette Knife

Keyframe
Take This To Heart Records (2026)

There’s a fine line between being a quirky emo band with scene references and something that actually sticks. On Keyframe, Columbus trio Palette Knife don’t just flirt with that line but sharpen it, name it after a Final Fantasy item, and build ten huge choruses around it. The band’s self-described “Nerd-Core-Mid-West-Emo” tag could easily read like a gimmick, but this … Read more

The Downstrokes

The Furious Hours
Independent (2026)

There is a specific kind of sultry, salty sweat that only happens in a room with low ceilings and a tube amp screaming a warm hum for forgiveness. You can smell the lingering kerosene and the stale beer on The Downstrokes’ latest LP, The Furious Hours, before the needle even hits the groove. It’s the sound of a band that … Read more

The Arrivals

Payload
Recess (2026)

It's been a short lifetime since the last Arrivals record, Volatile Molotov, but in many ways the new Payload picks up exactly where the last one left off. It straddles the mid-tempo punk spectrum while drawing influence from seemingly all realms of the rock 'n' roll cannon. I'd state that mod, power-pop, Brit Invasion, and even R&B are some of … Read more